Rota, Adam Belko, Jeff Hanewinkel, Tony Barcinas's ' "Skylight" was released on its scheduled release date, July 15, 2011. Skylight is considered explicit and may contain foul language. This song is about 3 minutes and 5 seconds, which is about the average length of a typical song. The song is number 4 out of 7 in E.P by Rota. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Skylight is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Skylight by Rota, Adam Belko, Jeff Hanewinkel, Tony Barcinas is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Monte-Carlo Philharmonic Orchestra, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
| Adagio from the Secret Garden | Rolf Løvland, Duo Friends and Family, Marco den Toom, Wilco van den Berg | G Minor | 0 | 6A | 103 BPM | ||
| Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
| L’amore finito | Paolo Buonvino | D♭ Minor | 2 | 12A | 132 BPM | ||
| Cossack Lullaby | Anonymous, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F♯ Minor | 1 | 11A | 78 BPM | ||
| Handel: Il trionfo del Tempo e del Disinganno, HWV 46a, Pt. 2: Aria. "Lascia la spina cogli la rosa" (Piacere) | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée, Ann Hallenberg | E Major | 0 | 12B | 94 BPM | ||
| Arrivederci America | Alessandro Safina | A♭ Minor | 4 | 1A | 82 BPM | ||
| Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
| Mile A Minute | Rota, Adam Belko, Jeff Hanewinkel, Tony Barcinas | G Major | 7 | 9B | 79 BPM | ||
| Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
| Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) | Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra | E Major | 4 | 12B | 81 BPM | ||
| Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
| La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| A Yaung Saung Ma Lay | Rota, MC Phyo | A♭ Major | 7 | 4B | 138 BPM | ||
| In a Monastery Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | F Major | 1 | 7B | 102 BPM | ||
| Rinaldo, HWV 7, Act II, Scene 4: Aria, Lascia ch'io pianga | George Frideric Handel, Yvonne Kenny, Paul Dyer, Australian Brandenburg Orchestra | E Major | 1 | 12B | 111 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| Omaggio (Tribute) | Yanni Voices | A Major | 5 | 11B | 76 BPM | ||
| Blue Sound | Stamatis Spanoudakis | G Minor | 4 | 6A | 130 BPM | ||
| Violino tzigano | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 47 BPM | ||
| Nabucco / Act III: Va, pensiero, sull'ali dorate | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D♭ Major | 0 | 3B | 73 BPM | ||
| Massenet: Thaïs, Act 2: Méditation (Version for Violin and Piano) | Jules Massenet, Min Kym, Gordon Back | D Major | 1 | 10B | 95 BPM |