"Rinaldo, HWV 7, Act II, Scene 4: Aria, Lascia ch'io pianga" by George Frideric Handel, Yvonne Kenny, Paul Dyer, Australian Brandenburg Orchestra had its release date on January 2, 1998. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Yvonne Kenny, Paul Dyer, Australian Brandenburg Orchestra's "Handel Arias" album is number 1 out of 13. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Rinaldo, HWV 7, Act II, Scene 4: Aria, Lascia ch'io pianga is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rinaldo, HWV 7, Act II, Scene 4: Aria, Lascia ch'io pianga by George Frideric Handel, Yvonne Kenny, Paul Dyer, Australian Brandenburg Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Handel: Eternal Source Of Light Divine (Birthday Ode For Queen Anne) HWV 74 | George Frideric Handel, Elin Manahan Thomas, David Blackadder, Members Of The BBC National Orchestra Of Wales, English Chamber Orchestra, Members, Members Of The Philharmonia Orchestra, Christopher Warren-Green | D♭ Major | 2 | 3B | 68 BPM | ||
| Cavalli: L'Erismena, Act 2: "Uscitemi dal cor, lacrime amare" (Idraspe) | Francesco Cavalli, Philippe Jaroussky | C Minor | 1 | 5A | 96 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Chorus: From harmony | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM | ||
| Im Abendrot, D. 799 | Franz Schubert, Anne Sofie von Otter, Bengt Forsberg | D Major | 1 | 10B | 91 BPM | ||
| Franck: Mass, Op. 12, FWV 61: Panis angelicus (Arr. Sandré for Choir and Orchestra) | César Franck, Halle Choir, Hallé, Maurice Handford | A Major | 1 | 11B | 85 BPM | ||
| Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Pausanius, the Betrayer of his Country. (1695), Z585 - original version: Sweeter Than Roses | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | F♯ Major | 1 | 2B | 136 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| L'incoronazione di Poppea, SV 308 / Prologue: Sinfonia - Prologue - "Deh, nasconditi, o Virtù" ... | Claudio Monteverdi, Anne Sofie von Otter, Catherine Bott, Marinella Pennicchi, English Baroque Soloists, John Eliot Gardiner | G Major | 1 | 9B | 170 BPM | ||
| Dvorák: Rusalka, B. 203, Op. 114, Act 1: 'Song to the Moon' (Rusalka) | Antonín Dvořák, Eva Urbanová, Ondrej Lenárd, Prague Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
| Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" | Simone Kermes | F Minor | 1 | 4A | 72 BPM | ||
| Giulio Cesare in Egitto, HWV 17 / Atto secondo: No. 25 Aria e Coro "Al lampo dell'armi" - Live | George Frideric Handel, Marijana Mijanovic, Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski, Jean-Michel Ankaoua | A Major | 4 | 11B | 121 BPM | ||
| Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
| Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
| Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
| Salve Regina, R.616 (Antiphona): 5. "Et Jesum" (Andante molto) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM | ||
| Handel / Arr. Mackerras & Rothwell: Oboe Concerto No. 2a in B-Flat Major, HWV 301: III. Siciliano | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 83 BPM | ||
| Pagliacci: Recitar!...Vesti la giubba (Act I) | Philharmonia Orchestra, Riccardo Muti, José Carreras | E Major | 2 | 12B | 98 BPM | ||
| L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
| Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Marcello, Mimì) | Giacomo Puccini, Thomas Schippers, Mario Sereni, Mirella Freni, Nicolai Gedda, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 4 | 9B | 78 BPM | ||
| Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
| Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] | William Christie | F Minor | 1 | 4A | 70 BPM |