- BPM
- 96
- Key
- A♭ Minor
- Camelot
- 1A
Ode for St. Cecilia's Day, HWV 76: Chorus: From harmony by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich Song Details
"Ode for St. Cecilia's Day, HWV 76: Chorus: From harmony" by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich had its release date on March 9, 2004. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel's "Handel: Ode for St. Cecilia's Day" album is number 4 out of 13. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Ode for St. Cecilia's Day, HWV 76: Chorus: From harmony is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Ode for St. Cecilia's Day, HWV 76: Chorus: From harmony by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -24.354 dB
- Acousticness
- 97%
- Danceability
- 25%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Messe h-Moll, BWV 232: VI. Gloria "Laudamus te" | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Julia Doyle, Rudolf Lutz | E♭ Minor | 2 | 2A | 124 BPM | |
 | Mass in B Flat Major - Missa brevis Sancti Joannis de Deo ("Kleine Orgelmesse"), Hob.XXII:7: 1. Kyrie | Joseph Haydn, Choir of St. John's College, Cambridge, John Scott, Academy of St. Martin in the Fields, George Guest | B♭ Major | 1 | 6B | 67 BPM | |
 | Missa in D-Dur, KV194: Benedictus | Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher | D Major | 1 | 10B | 114 BPM | |
 | Christ lag in Todesbanden, BWV 4: Versus I - Chorus: Christ lag in Todesbanden | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | F Minor | 1 | 4A | 94 BPM | |
 | Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | |
 | Missa Circumcisionis, ZWV 11: Et resurrexit | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | A♭ Major | 2 | 4B | 104 BPM | |
 | Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | |
 | Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VI. Domine Deus | Antonio Vivaldi, Nancy Argenta, David Reichenberg, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 132 BPM | |
 | Salve Regina in F minor: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 2 | 11A | 78 BPM | |
 | Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | |
 | Messiah, HWV 56: Part 1: Glory to God (Chorus) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 108 BPM | |
 | Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | |
 | Purcell: Funeral Sentences: In the Midst of Life, Z. 17A | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | B Major | 2 | 1B | 137 BPM | |
 | Te Deum, H. 146: IV. Per te orbem terrarum | Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 180 BPM | |
 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | |
 | Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The English Concert, Trevor Pinnock, The English Concert Choir | F♯ Minor | 0 | 11A | 135 BPM | |
 | The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | |
 | As Pants the Hart, HWV 251b: II. As Pants the Hart for Cooling Streams | George Frideric Handel, Arcangelo, Jonathan Cohen, Hilary Cronin, Samuel Boden, Raoul Steffani | A Major | 5 | 11B | 105 BPM | |
 | Handel: Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Emmanuelle Haïm, Denis Comtet | F♯ Minor | 4 | 11A | 132 BPM | |
| Stabat Mater: 9. Sancta Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 70 BPM | |
 | Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Ach bleib bei uns, Herr Jesu Christ (Soprano) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 102 BPM | |
 | Nach dir, Herr, verlanget mich, BWV 150: Leite mich in deiner Wahrheit (Chorus) | Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | C Minor | 1 | 5A | 89 BPM | |
 | Missa Divi Xaverii, ZWV 12: Kyrie eleison I | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Václav Čížek, Stephan MacLeod, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Major | 1 | 3B | 93 BPM | |
 | Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A♭ Major | 2 | 4B | 104 BPM | |
 | Gloria in D, R.589: 6. Domine Deus, Rex Coelestis | Antonio Vivaldi, Judith Nelson, Academy of Ancient Music, Simon Preston | E Minor | 1 | 9A | 79 BPM |
- ISRC
- HKI199930904
- Label
- L-M Records/RCA Records