M. S. Ravigowda's ' "Gunju Maleyo" was released on its scheduled release date, August 18, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in M. S. Ravigowda's "Muddu Madayyana Theru Sinagara Kamsale Shyliya Bhakthi Geethegallu" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. Gunju Maleyo is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gunju Maleyo by M. S. Ravigowda to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maralu Maadi | Medha Vidyabhushan | E♭ Minor | 7 | 2A | 132 BPM | ||
| Henninaseye Kumkuma | Archana Udupa,V.Nagendra Prasad | G Major | 7 | 9B | 87 BPM | ||
| Halakki Nudadhanga | Shabbir Dange, Nandita | G Minor | 5 | 6A | 140 BPM | ||
| Thoogire Rangana Thoogire Krishnana | Ratnamala Prakash | D Major | 3 | 10B | 111 BPM | ||
| Chellidaru Malligeya | Appagere Thimmaraju | G Minor | 5 | 6A | 183 BPM | ||
| Kannu Kannu Koodidaga | Shrishail Kagal | C Major | 6 | 8B | 101 BPM | ||
| Sangavvakkana Muddina Sose | Gururaj Hosakote | D Major | 6 | 10B | 80 BPM | ||
| Kallina Gudiyolu | Mahalakshmi Sharma | G Minor | 9 | 6A | 150 BPM | ||
| Nodi Namma Sarkarada | M. S. Ravigowda | G Major | 8 | 9B | 113 BPM | ||
| Raghvendra Gururayara | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | F♯ Minor | 5 | 11A | 141 BPM | ||
| Thanu Karaguvavaralli Pushpavanolle | Manjula Gururaj | G Major | 6 | 9B | 105 BPM | ||
| Bhramarambeg Pooje Undathi... | Manjula Gururaj | C Major | 7 | 8B | 148 BPM | ||
| Vinaro Bhagyamu Vishnu Katha | Nithya Santhoshini | B♭ Minor | 5 | 3A | 94 BPM | ||
| Charanam Charanam | Veeramanidaasan | D♭ Major | 8 | 3B | 150 BPM | ||
| Kartika Maasa | Vishnu | C Minor | 6 | 5A | 114 BPM | ||
| Vishveshwaraya | Nihal | F♯ Minor | 6 | 11A | 142 BPM | ||
| Kodatara Nanna Kodatara | Basavaraj Narendra, Anuradha Bhat | A♭ Major | 7 | 4B | 94 BPM | ||
| Irumudi Padi | Narashima Naik | A Minor | 8 | 8A | 93 BPM | ||
| Shabari Shilanivasa | Madhu Balakrisha | D♭ Major | 8 | 3B | 200 BPM | ||
| Tamboori Meetidava | Aradhya Rao | E♭ Minor | 6 | 2A | 150 BPM | ||
| Anthada Chanthada | Madhu Balakrishnan | C Minor | 8 | 5A | 96 BPM | ||
| Guruvaara Bandiruve | Puttur Narasimha Nayak | A♭ Minor | 7 | 1A | 105 BPM | ||
| Jayavenni Jagadambege | Mahalakshmi Iyer | F Major | 6 | 7B | 166 BPM | ||
| Tayi Yellavvana Bedono | Sujatha Dutt | G Major | 7 | 9B | 139 BPM | ||
| Baare Baare | Rajesh Krishnan, Rathnamala Prakash, Hamsalekha | A Major | 5 | 11B | 132 BPM |