Rekha Rao, Sajid-Wajid's ' "Ghaghro" was released on its scheduled release date, October 31, 2022. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Ghaghro and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Ghaghro's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ghaghro by Rekha Rao, Sajid-Wajid to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radhe Hum Sab Pukare Tera Naam | Madhavas Rock Band, Neha Sobti, Jamuna Priya Dasi, Nirdosh Sobti | B Minor | 8 | 10A | 102 BPM | ||
| The Rusya To Mahre Kaiya Sarsi | Abhishek Nama | F♯ Major | 5 | 2B | 140 BPM | ||
| Unke Hatho Mein | Shahnaz Akhtar | B Minor | 9 | 10A | 104 BPM | ||
| Chham Chham Baaje Ghunghroo | Tej Karan Rao, Rekha Rao | D♭ Minor | 6 | 12A | 94 BPM | ||
| Baans Ki Basuriya | Vishnupriya Avi Ji | D Major | 8 | 10B | 83 BPM | ||
| Lagan Tumse Laga Baithe | Shekhar Jaiswal | C Major | 8 | 8B | 105 BPM | ||
| Peeli Lugdi Ka Palla Pe | Rekha Rao, Dc Madana | A♭ Minor | 9 | 1A | 104 BPM | ||
| Pakad Lo Hath Banwari | Rekha Rao | D♭ Minor | 6 | 12A | 170 BPM | ||
| Maiya Ri Maiya Ek Khilona Chota Sa Dilwade | Kanhiya Mittal | A♭ Minor | 7 | 1A | 83 BPM | ||
| Jabra Jangal Mein Bethi Maa Awara Mata | Moinuddin Manchala | E Minor | 8 | 9A | 81 BPM | ||
| Lagan Shyam Naam Ki | Reshmi Sharma | B♭ Minor | 9 | 3A | 103 BPM | ||
| Vo dekho chor hari | Shradey gaurav krishna goswami | D♭ Major | 6 | 3B | 104 BPM | ||
| Na Rol Maiye | Nitesh Garla | B Minor | 9 | 10A | 112 BPM | ||
| Thake Ghadi Aaj Kaandhe Pe | Pt. Ram Avtar Sharma, Rekha Rao | G Minor | 6 | 6A | 100 BPM | ||
| Mindhal Batasa Aai Meri Chandi Maa (Chandi Mata Bhajan) Dogri Bhajan | Naveen Punjabi | D Major | 9 | 10B | 102 BPM | ||
| Mere Tan Me Ram Mere Man Me Ram | Siyaram Vaishnav | F♯ Minor | 9 | 11A | 78 BPM | ||
| Khatu Shyam Chalisa | Manoj Mishra | C Minor | 7 | 5A | 96 BPM | ||
| Umraave | Rekha Rao, Parmeshwar Premi | D♭ Major | 7 | 3B | 141 BPM | ||
| Dhola Dhol Manjeera Baaje Re | Rekha Rao | A♭ Major | 8 | 4B | 99 BPM | ||
| Radhe Radhe Japo Chale Aayenge | Arun Nagpal | B Major | 8 | 1B | 130 BPM | ||
| Hare Ka Sahara | Parmen, Geetaben Rabari, Tijara Vines | B♭ Major | 6 | 6B | 170 BPM | ||
| Thari Jay Ho Pawan Kumar Bajrang Balaji | Shyam Paliwal | F Minor | 9 | 4A | 100 BPM | ||
| Kajrare Mote Mote Tere Nain Haaye Najar Na Lg Jaye | Bhagat Romi | B♭ Major | 9 | 6B | 87 BPM | ||
| Do Baat Karunga Krishan Te | Anu | B♭ Minor | 8 | 3A | 120 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM |