Rekha Rao's ' "Dhola Dhol Manjeera Baaje Re" was released on its scheduled release date, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao's "Ghoomar Vol.1" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Dhola Dhol Manjeera Baaje Re is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Dhola Dhol Manjeera Baaje Re by Rekha Rao to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rang Tune Prem Ka | Sanjay Pareek | B♭ Major | 9 | 6B | 79 BPM | ||
| Mayiya Bhagwati Ke Anganwa | MANOJ TIWARI, Rekha Rao | A♭ Major | 7 | 4B | 120 BPM | ||
| Pata Nhi Kis Roop Me Aakar Narayan Mil Jayega | Prakash Gandhi | D♭ Major | 7 | 3B | 132 BPM | ||
| Hansa Sundar Kaya Ro | Prakash Mali | A♭ Major | 8 | 4B | 82 BPM | ||
| Tara Ri Chunariya | Tej Karan Rao, Rekha Rao | F♯ Major | 6 | 2B | 97 BPM | ||
| Shree Radhe Gopal Bhajman Shree Radhe | Devi Chitralekha | D♭ Major | 3 | 3B | 102 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Mein to Bhanu Baba Ke | Sadhvi Purnima Ji | F Major | 9 | 7B | 120 BPM | ||
| Gheenad Ramwa | Suresh Wadkar, Om Vyas, Kavita Krishnamurthy, Aparna Mayekar, Anupama, Vinod Rathod, Sanjay Sawant, Satish, Trupti Chhaya, Rekha Rao | A♭ Major | 5 | 4B | 162 BPM | ||
| Saanware Sarkar | Raj Pareek | F♯ Major | 9 | 2B | 92 BPM | ||
| Chandadla Tu Chhup Jya Re | Seema Mishra | A♭ Major | 5 | 4B | 130 BPM | ||
| Naina Lad Gaye Shyam Salone Se | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 100 BPM | ||
| Meri Deva Rani | Kumar Ravi | C Major | 6 | 8B | 148 BPM | ||
| Vrindavan Dham Apaar Jape Ja Radhe Radhe | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 9 | 7B | 144 BPM | ||
| Pinjare Ke Panchhi | Hari Bharwad | D♭ Major | 7 | 3B | 107 BPM | ||
| Shyam Ka Rang Chad Gaya | Pramod Tripathi, Aadesh Shrivastava | D♭ Major | 6 | 3B | 82 BPM | ||
| Mere Sheesh Ke Dani Ka | Pt. Ram Avtar Sharma, Anupama, Rajneesh Sharma | D♭ Major | 8 | 3B | 107 BPM | ||
| Ek Phool Gulab Ka Laya Hu | Unix Bhakti, Jayesh Chouhan | F Major | 9 | 7B | 90 BPM | ||
| Naseebo Se Zyaada | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Mere Banke Bihari Lal | Devi Neha Saraswat | A Major | 8 | 11B | 108 BPM | ||
| Ganpati Ji Ganesh Nu Manaiye | Santosh Kumar | D♭ Major | 10 | 3B | 90 BPM | ||
| Mahakal Teri Basati Me Kripa Barasati | Kishan Bhagat | A♭ Major | 7 | 4B | 122 BPM | ||
| Mathe Ki Bindiya Chamke | Mamta Singh | B♭ Minor | 7 | 3A | 125 BPM | ||
| Dhola Dhol Manjira Baje Re | Tej Karan Rao, Rekha Rao | F♯ Major | 7 | 2B | 80 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM |