"The Big Rip (A Science Fiction Cantata): IX. The Big Rip (continued)" by Mathew Rosenblum, Various Artists had its release date on September 1, 2012. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. The Big Rip (A Science Fiction Cantata): IX. The Big Rip (continued)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mathew Rosenblum, Various Artists's "Mathew Rosenblum: Circadian Rhythms" album is number 17 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Big Rip (A Science Fiction Cantata): IX. The Big Rip (continued)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Big Rip (A Science Fiction Cantata): IX. The Big Rip (continued) by Mathew Rosenblum, Various Artists to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Progess Back | Money Wheels | B♭ Major | 1 | 6B | 210 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: II. Two Drumming Rituals | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | F Minor | 0 | 4A | 104 BPM | ||
| Six Studies in English Folksong | Gene Pokorny | E♭ Major | 0 | 5B | 70 BPM | ||
| Withering Hope | Orithia | E Major | 7 | 12B | 102 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | ||
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 120, No. 2: III. Allegro | Johannes Brahms, Martin Fröst, Roland Pöntinen | E♭ Major | 1 | 5B | 105 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | F Minor | 0 | 4A | 104 BPM | ||
| IMPROVISO IV - A DOÇURA DO VINAGRE / improvisation IV - the sweetness of vinegar | Mário Laginha | F Minor | 0 | 4A | 104 BPM | ||
| Concerto for Soprano Saxophone and Wind Ensemble: I. Prelude | Timothy McAllister, ASU Wind Ensemble | G Minor | 5 | 6A | 102 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Electric Counterpoint - Slow | Svet Stoyanov | E Major | 4 | 12B | 196 BPM | ||
| The Ocean | Chin Cheng Lin | F Major | 2 | 7B | 123 BPM | ||
| Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
| The Big Rip (A Science Fiction Cantata): VI. Lift Up Your Eyes to the Heavens | Mathew Rosenblum, Various Artists | A♭ Minor | 0 | 1A | 130 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | F Minor | 0 | 4A | 104 BPM | ||
| Ex Machina: Machine IV (Dancing a Mean Ghastly Dance) | Marc Mellits, Donald Sinta Quartet | G Minor | 3 | 6A | 128 BPM | ||
| Poulenc: Sextet for Piano and Winds, FP 100: III. Finale. Prestissimo | Francis Poulenc, Les Vents Français | C Major | 1 | 8B | 112 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
| 3 Postludien: Postludium No. 3 | Valentin Silvestrov, Matt Haimovitz, Nadia Shpachenko | D Major | 0 | 10B | 127 BPM |