Philip Glass, Carducci String Quartet's ' "Suite from Dracula: The Storm" was released on its scheduled release date, September 4, 2015. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philip Glass, Carducci String Quartet, Cian O'Dúill, Gemma Rosefield's "Glass: String Quartet No. 5, Suite from Dracula & String Sextet" album is number 9 out of 17. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Suite from Dracula: The Storm is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite from Dracula: The Storm by Philip Glass, Carducci String Quartet to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glassworks: I. Opening | Philip Glass, Philip Glass Ensemble, Michael Riesman | C Minor | 1 | 5A | 139 BPM | ||
| Avril 14th | Aphex Twin, Daniel Hope, Jacques Ammon, Christoph Anacker, Jane Berthe, Kaiser Quartett | D♭ Major | 0 | 3B | 144 BPM | ||
| Glassworks: III. Islands | Signal, Michael Riesman | B♭ Minor | 2 | 3A | 84 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| Written In Stone | Ólafur Arnalds, Alice Sara Ott | E Minor | 2 | 9A | 82 BPM | ||
| Verses | Ólafur Arnalds, Alice Sara Ott | D♭ Minor | 2 | 12A | 142 BPM | ||
| Seduction | Balanescu Quartet | A Minor | 1 | 8A | 87 BPM | ||
| Crossing | Julia Kent | F Major | 0 | 7B | 51 BPM | ||
| A Sparrow Alighted upon our Shoulder | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F♯ Minor | 1 | 11A | 139 BPM | ||
| Metamorphosis 2 | Philip Glass, Bruce Brubaker | A Minor | 0 | 8A | 112 BPM | ||
| Daguerréotype: 2 Juliette - acoustic instrumental | Olivia Belli | D Major | 0 | 10B | 79 BPM | ||
| 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | ||
| Je Suis Vivant | Martin Phipps | B♭ Minor | 0 | 3A | 79 BPM | ||
| Akhnaten: Act I, Scene 1: Funeral of Amenhotep III | Philip Glass, Cornelius Hauptmann, Paul Esswood, Dennis Russell Davies, Stuttgart State Opera Orchestra, Chor der Staatsoper Stuttgart, Helmut Holzapfel | D♭ Minor | 5 | 12A | 178 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
| Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
| Alma | Jonny Greenwood | C Major | 1 | 8B | 99 BPM | ||
| Bro First Stop | VITMAY | E♭ Minor | 0 | 2A | 136 BPM | ||
| Pale Blue Dot | Roger Goula | G Minor | 2 | 6A | 94 BPM | ||
| Electric Tail Wag | VITMAY | E♭ Minor | 0 | 2A | 136 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
| Arise | Isobel Waller-Bridge | G Minor | 4 | 6A | 100 BPM | ||
| Above and Below, B Minor | Víkingur Ólafsson, Peter Gregson | B Minor | 2 | 10A | 137 BPM | ||
| Gnossienne No. 3 | Erik Satie, Kai Schumacher | A Minor | 0 | 8A | 69 BPM |