Runa Laila's ' "Nai Telephone Naire Pion" was released on its scheduled release date, November 19, 2025. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 20 in Best of Runa Laila by Runa Laila, Kumar Bishwajit, Agun, Andrew Kishore. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Nai Telephone Naire Pion is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Nai Telephone Naire Pion by Runa Laila is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeh Hawa Yeh Fiza Aa Bhi Ja | Mahendra Kapoor, Sahir Ludhianvi | A Minor | 2 | 8A | 101 BPM | ||
| Tuhi Woh Hasin | Mohd. Rafi | A♭ Major | 5 | 4B | 118 BPM | ||
| Tere Naina Talash Karen | Manna Dey, S. D. Burman | A♭ Minor | 6 | 1A | 112 BPM | ||
| Ek Akela Is Shaher Mein | Bhupinder Singh | D Major | 7 | 10B | 89 BPM | ||
| Najariya Ki Mari | Rajkumari | E♭ Major | 3 | 5B | 79 BPM | ||
| Ek Baat Kahoon Gar Mano Tum | Lata Mangeshkar, R. D. Burman | F Minor | 4 | 4A | 109 BPM | ||
| Yeh Hai Bombay Meri Jaan (Aye Dil Hai Mushkil Jeena Yahan) | O. P. Nayyar, Majrooh Sultanpuri | F Major | 4 | 7B | 159 BPM | ||
| Commentary Tabussum And O Saathi Re - Muqaddar Ka Sikandar | Tabassum, Kishore Kumar, Kalyanji-Anandji | F♯ Major | 5 | 2B | 99 BPM | ||
| Phool Gendva Na Maro | Manna Dey | E♭ Minor | 5 | 2A | 90 BPM | ||
| Dhadakte Dil Ki Tamanna | Suraiya | B♭ Major | 6 | 6B | 72 BPM | ||
| Woh Paas Rahe Ya Door | Suraiya | D♭ Major | 3 | 3B | 122 BPM | ||
| Saphal Hogi Teri Aradhana | S. D. Burman | F Major | 2 | 7B | 111 BPM | ||
| Joriye Nao Premer Chadore | Runa Laila, Khalid Hasan Milu | F Minor | 8 | 4A | 127 BPM | ||
| Mana Teri Nazar Mein - Ahista Ahista / Soundtrack Version | Sulakshana Pandit | C Major | 4 | 8B | 139 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 3 | Hemlata, Ravindra Jain | C Minor | 4 | 5A | 117 BPM | ||
| Buker Vitor Ekta Bari | Andrew Kishore, Runa Laila | C Major | 9 | 8B | 122 BPM | ||
| Sansar Ki Har Shae | Mahendra Kapoor | G Minor | 4 | 6A | 123 BPM | ||
| Je Jon Premer Bhab Jane Na | Ahmed Imtiaz Bulbul, Runa Laila | B♭ Major | 5 | 6B | 80 BPM | ||
| Jhuka Ke Sar Ko Puchho - From "Satte Pe Satta" | Asha Bhosle, Sapan Chakraborty, R. D. Burman | F Major | 6 | 7B | 78 BPM | ||
| Ankhiyan Milake - Zohrabai Ambalawali | Zohrabai Ambalawali | C Major | 4 | 8B | 114 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Ek Kali Do Pattiyan (with Commentary) | Bhupen Hazarika, Gulzar | A Major | 3 | 11B | 139 BPM | ||
| Ae Dil Mujhe Bata De | Geeta Dutt | D Major | 6 | 10B | 87 BPM | ||
| Kai Baar Yun Bhi Dekha Hai | Mukesh | A♭ Major | 4 | 4B | 128 BPM | ||
| Chandni O Meri Chandni | Sridevi Kapoor, Jolly Mukherjee | D Minor | 8 | 7A | 91 BPM |