"The Voices" by Le Blonde had its release date on March 7, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since The Voices only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, The Voices is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Voices by Le Blonde having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When We Met | Jonathan Bree | D♭ Minor | 5 | 12A | 113 BPM | ||
| Low Light | Bluhm | G Minor | 6 | 6A | 102 BPM | ||
| Dead Stars | Hunter As a Horse | F Minor | 5 | 4A | 160 BPM | ||
| Fill Me Up | Henry Saiz, Cornelia | E Minor | 4 | 9A | 121 BPM | ||
| Alone Again | Antipole, Paris Alexander | D♭ Major | 7 | 3B | 112 BPM | ||
| Sleeprydr | Holy Motors | F Major | 4 | 7B | 98 BPM | ||
| Disorder | Minimal Schlager | G Minor | 6 | 6A | 120 BPM | ||
| So Typical | Fragrance | A Minor | 8 | 8A | 120 BPM | ||
| Four Corners | Young Ejecta | B♭ Major | 6 | 6B | 122 BPM | ||
| Departure | Clear Coast | A Major | 8 | 11B | 110 BPM | ||
| The Photograph | Still Corners | D♭ Minor | 7 | 12A | 120 BPM | ||
| Average Boy | Nightbus | D Major | 7 | 10B | 120 BPM | ||
| Into The Light | CATBEAR | C Major | 8 | 8B | 140 BPM | ||
| Set in Motion | Red Mecca | B Minor | 7 | 10A | 150 BPM | ||
| Hearts of Fools | Still Corners | C Major | 5 | 8B | 130 BPM | ||
| Shadows | Midnight Faces | E Minor | 7 | 9A | 120 BPM | ||
| The Void | Nightbus | G Major | 5 | 9B | 125 BPM | ||
| Tired | Young Ejecta | F♯ Major | 5 | 2B | 100 BPM | ||
| Peacock | Le Blonde | E Minor | 8 | 9A | 132 BPM | ||
| Sakura | Scratch Massive, Maud Geffray | D♭ Major | 7 | 3B | 112 BPM | ||
| Badlands (There's A Girl In The Corner - Demo) | The Twilight Sad | E Minor | 6 | 9A | 100 BPM | ||
| like a fire | Cloud Pastel | D Major | 7 | 10B | 150 BPM | ||
| Turning Over a New Leaf | Found Space | A♭ Major | 7 | 4B | 111 BPM | ||
| Time | atmos bloom | C Major | 8 | 8B | 106 BPM | ||
| Intertwined | Fragrance, R. Missing | E Minor | 6 | 9A | 120 BPM |