"Happy Valley Blues" by Anthony Davis, String Trio Of New York had its release date on April 1, 2011. This song appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "New York String Trio With Anthony Davis". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Happy Valley Blues is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Happy Valley Blues by Anthony Davis, String Trio Of New York having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Primer cuaderno: III. Placide | Federico Mompou | B♭ Major | 0 | 6B | 105 BPM | ||
| In The Mornings Out There | Jimmy Giuffre, Paul Bley, Steve Swallow | C Minor | 0 | 5A | 58 BPM | ||
| Filigree | John Surman | G Minor | 1 | 6A | 149 BPM | ||
| Evidence | Baptiste Herbin, Minino Garay, Felipe Cabrera | F Major | 2 | 7B | 68 BPM | ||
| You Have the Right to Remain Silent: IV. Dance of the Other | Anthony Davis, J.D. Parran, Earl Howard, Gil Rose, Boston Modern Orchestra Project | C Minor | 2 | 5A | 117 BPM | ||
| 24の前奏曲, 作品 53: 第 2番 イ短調 | Nikolai Kapustin, ニコライ・カプースチン | D Minor | 2 | 7A | 131 BPM | ||
| A Night In Medina | Randy Weston | A Major | 3 | 11B | 80 BPM | ||
| Kasumi | Ingrid Laubrock, Aki Takase | G Major | 0 | 9B | 94 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| ANTRACITE | Paolo Fresu, Uri Caine | B♭ Major | 3 | 6B | 82 BPM | ||
| St. Ride | Craig Taborn, Chris Lightcap, Gerald Cleaver | A Major | 0 | 11B | 112 BPM | ||
| Substance X | Peter Evans, Mike Pride | A♭ Major | 2 | 4B | 89 BPM | ||
| Always Positive | Walt Dickerson, Richard Davis | D Major | 1 | 10B | 137 BPM | ||
| Three Compositions | Milton Babbitt, Robert Taub | D♭ Major | 1 | 3B | 60 BPM | ||
| 3 Pieces for Piano: No. 2, Caminos del Espejo | Graciela Jiménez, Dora De Marinis | A Major | 0 | 11B | 74 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 4, Allegretto | Nikolai Kapustin, Ophelia Gordon | B♭ Minor | 2 | 3A | 117 BPM | ||
| Void Pulse | Astrid Voix | F Major | 2 | 7B | 68 BPM | ||
| The Barbara Song | Gil Evans | F Minor | 1 | 4A | 89 BPM | ||
| Blues Symphony: I. Born in Hope | Wynton Marsalis, Detroit Symphony Orchestra, Jader Bignamini | C Major | 2 | 8B | 85 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| melodies go home | various sighhorns | D♭ Minor | 0 | 12A | 137 BPM | ||
| And On The Third Day (For Gary Burton), Pt. 3 | Michael Gibbs | F♯ Minor | 5 | 11A | 118 BPM | ||
| Theme for Mark | Abdullah Ibrahim | F♯ Major | 0 | 2B | 136 BPM | ||
| Varhaisella | Lauri Porra | F♯ Major | 3 | 2B | 108 BPM |