Asha Bhosle, Mohammed Rafi's ' "Hum Intezar Karenge Tera Qyamat Tak" was released on its scheduled release date, December 1, 1966. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 9 in Bahu Begum (Original Motion Picture Soundtrack) by Roshan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Hum Intezar Karenge Tera Qyamat Tak is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Hum Intezar Karenge Tera Qyamat Tak by Asha Bhosle, Mohammed Rafi is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Insaaf Ki Dagar Pe | Hemant Kumar | E♭ Major | 5 | 5B | 139 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Woh Hanske Mile Ham Se | Asha Bhosle | A Major | 2 | 11B | 75 BPM | ||
| Dil E Nadan Tujhe Hua Kya Hai | Suraiya, Talat Mahmood | E Major | 5 | 12B | 105 BPM | ||
| Aap Jinke Kareeb Hote Hain | Pankaj Udhas | G Major | 4 | 9B | 98 BPM | ||
| Main Kaise Kahoon Janeman | Jagjit Singh | D♭ Major | 4 | 3B | 102 BPM | ||
| Dukh Bhare Din Beete Re | Mohammed Rafi, Shamshad Begum, Asha Bhosle, Manna Dey, Shakeel Badayuni | A♭ Major | 7 | 4B | 172 BPM | ||
| Kismat Ke Khel Nirale Mere Bhaiya | Ravi | G Major | 4 | 9B | 183 BPM | ||
| Pyaar Ka Pehla Khat | Jagjit Singh | A♭ Minor | 4 | 1A | 93 BPM | ||
| Mere Hosh Ley Lo - From "Bandish" | Kishore Kumar, Asha Bhosle | E♭ Major | 3 | 5B | 93 BPM | ||
| Haye Re Haye (From "Humjoli") | Lata Mangeshkar, Mohammed Rafi | D♭ Minor | 6 | 12A | 100 BPM | ||
| Dil Pukare Aare Aare With Dialogue | Lata Mangeshkar, Mohammed Rafi, Dev Anand, Vyjayanthimala, S. D. Burman | B♭ Major | 3 | 6B | 98 BPM | ||
| Man Kyoon Behka Re Behka Aadhi Raat Ko | Laxmikant–Pyarelal, Lata Mangeshkar, Asha Bhosle | B♭ Major | 5 | 6B | 80 BPM | ||
| Ae Mere Zohra Jabeen | Manna Dey | F♯ Minor | 5 | 11A | 80 BPM | ||
| Jhukti Ghata Gaati Hawa | Mahendra Kapoor, Asha Bhosle | F♯ Major | 7 | 2B | 110 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Yeh Ab Aap Sochiye | Asha Bhosle, Mohammed Rafi | F Major | 3 | 7B | 144 BPM | ||
| O Gaadiwale | Shamshad Begum, Mohammed Rafi | D Major | 2 | 10B | 108 BPM | ||
| Aayee Zanjeer Ki Jhankar, Pt.1 | Kabban Mirza, Jan Nisar Akhtar | E♭ Major | 5 | 5B | 91 BPM | ||
| Zindagi Kaisi Hai Paheli | Manna Dey | C Major | 6 | 8B | 98 BPM | ||
| Tum Bin Jeevan Kaise Beeta | Mukesh, Laxmikant–Pyarelal | C Major | 4 | 8B | 88 BPM | ||
| Samay O Dhire Chalo - Male Version | Bhupen Hazarika | B♭ Major | 5 | 6B | 82 BPM | ||
| Yeh Hai Ishq Ishq | Manna Dey, Mohammed Rafi, S.D. Batish, Sudha Malhotra, Sahir Ludhianvi | C Major | 8 | 8B | 83 BPM | ||
| Aur Kya Ahede Wafa - Female Version | R. D. Burman, Asha Bhosle | C Major | 5 | 8B | 159 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM |