Rekha Rao's ' "Piyu Piyu Bole" was released on its scheduled release date, May 28, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Kumar Vishu's "Gorband Vol-1" album is number 9 out of 9. Based on our statistics, Piyu Piyu Bole's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Piyu Piyu Bole by Rekha Rao to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sanso Ki Mala Pe Simru Main Radhe Shyam | Sejal Keshari | E♭ Minor | 5 | 2A | 135 BPM | ||
| Ye Fagun Ki Rut Hai | Debashish Dasgupta, Rekha Rao, Arvind Jha, Balbir Nirdosh | D Major | 7 | 10B | 86 BPM | ||
| Mahari Titri | Rekha Rao, Pramesh Premi | B♭ Minor | 9 | 3A | 110 BPM | ||
| Gaonve Gaonve Pachra Gawaye Laagal | MANOJ TIWARI, Rekha Rao | A♭ Major | 6 | 4B | 113 BPM | ||
| Bhajman Bam Bam Bholenath | Hemant Chauhan | A♭ Major | 8 | 4B | 85 BPM | ||
| Nazar Na Lag Jaye | Manoj Sharma Gwalior | A♭ Major | 9 | 4B | 167 BPM | ||
| Om Shiv Om Shiv | Hemant Chauhan | E Major | 4 | 12B | 175 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Sanso Ki Mala Pe Simru Main Shiv Ka Naam | Ananya Prakash | E♭ Minor | 7 | 2A | 135 BPM | ||
| Tose Naina Ladey (Remix By Umesh Tarkaswar) | Raghuvir Yadav, Rekha Rao | B Minor | 9 | 10A | 135 BPM | ||
| Apna Bihar | Udit Narayan, Mohan Rathod, Rekha Rao | D Major | 10 | 10B | 160 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Khatu Shyam Ke Bina | Mr Radhey, Ashish Sada Tanwar, Youngest Couple | B♭ Minor | 9 | 3A | 135 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Gor A Gangore Mata | Supriya | F♯ Major | 6 | 2B | 106 BPM | ||
| Parde Mein Baithe Baithe | Baba Rasika Pagal, Chitra Vichitra | A♭ Major | 9 | 4B | 142 BPM | ||
| Goga Ji Ke Bhakton Pe Masti | Pt. Ram Avtar Sharma, Rekha Rao | G Minor | 6 | 6A | 100 BPM | ||
| Aisa kya kaam kiya | Sheetal Pandey | G Minor | 3 | 6A | 139 BPM | ||
| Mhare Sir Par Hai Baba Ji Ro Hath | Sanju Sharma | C Major | 8 | 8B | 120 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Shri Shyama Pyari | Sadhvi Purnima Ji | D Minor | 9 | 7A | 174 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Sanware Ki Mehfil Ko Sanwara Sajata Hai | Bhakti Bhajan Sangrah | A♭ Major | 7 | 4B | 88 BPM | ||
| Har Saans Mein Ho Sumiran Tera | Shubhangi Joshi | D Major | 7 | 10B | 146 BPM | ||
| Khamma Khamma Ho Rama | Gopal Bajaj | F♯ Major | 6 | 2B | 91 BPM |