Toby Keith's ' "We Were In Love" was released on its scheduled release date, January 1, 1997. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 11 in Dream Walkin' by Toby Keith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, We Were In Love is currently average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of We Were In Love by Toby Keith is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Real Fine Place to Start | Sara Evans | A♭ Major | 8 | 4B | 121 BPM | ||
| Where Are You Now | Clint Black | F Major | 3 | 7B | 149 BPM | ||
| Huckleberry | Toby Keith | C Major | 4 | 8B | 83 BPM | ||
| When You Leave That Way You Can Never Go Back - Remastered Version | Confederate Railroad | D Major | 4 | 10B | 81 BPM | ||
| Woman Behind The Man | Toby Keith | E Major | 4 | 12B | 110 BPM | ||
| Just Might (Make Me Believe) | Sugarland | D♭ Major | 5 | 3B | 140 BPM | ||
| Holding Her and Loving You | Earl Thomas Conley | G Major | 3 | 9B | 126 BPM | ||
| Real Life (I Never Was The Same Again) | Jeff Carson | A Major | 4 | 11B | 170 BPM | ||
| Things Change | Dwight Yoakam | A Major | 6 | 11B | 108 BPM | ||
| No Man's Land | John Michael Montgomery | C Major | 5 | 8B | 105 BPM | ||
| Every Light In The House | Trace Adkins | F Major | 5 | 7B | 129 BPM | ||
| Laredo | Chris Cagle | B♭ Minor | 8 | 3A | 160 BPM | ||
| What Part of No | Lorrie Morgan | E♭ Major | 5 | 5B | 130 BPM | ||
| I Don't Call Him Daddy | Doug Supernaw | D Major | 4 | 10B | 89 BPM | ||
| Even The Man In The Moon Is Crying | Mark Collie | F Major | 6 | 7B | 122 BPM | ||
| A Woman's Touch | Toby Keith | B Minor | 8 | 10A | 135 BPM | ||
| How Can I Help You Say Goodbye | Patty Loveless | B Major | 2 | 1B | 72 BPM | ||
| Let Me Let Go | Faith Hill | F♯ Major | 5 | 2B | 92 BPM | ||
| Last Day Of My Life | Phil Vassar | C Major | 6 | 8B | 140 BPM | ||
| A Little More Country Than That | Easton Corbin | B Major | 6 | 1B | 85 BPM | ||
| I Am That Man | Brooks & Dunn | D Major | 6 | 10B | 91 BPM | ||
| I'll Wait For You | Joe Nichols | A Major | 4 | 11B | 144 BPM | ||
| 'Til a Tear Becomes a Rose | Lorrie Morgan, Keith Whitley | F Major | 3 | 7B | 104 BPM | ||
| That's as Close as I'll Get to Loving You | Aaron Tippin | B♭ Major | 6 | 6B | 87 BPM | ||
| Bye-Bye | Jo Dee Messina | B♭ Major | 9 | 6B | 134 BPM |