Amy Dickson's 'Truth, And Then There Were Teardrops' had a release date set for January 15, 2021. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Truth, And Then There Were Teardrops only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Truth, And Then There Were Teardrops is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Truth, And Then There Were Teardrops by Amy Dickson having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Empty City | Sophie Hutchings | G Minor | 0 | 6A | 77 BPM | ||
| Moon River | Henry Mancini, Amy Dickson, Chris Walden | F Major | 2 | 7B | 72 BPM | ||
| Chorale in E Flat | Rosey Chan | E♭ Major | 0 | 5B | 77 BPM | ||
| Garden Scene | Pei, Erich Wolfgang Korngold | C Major | 2 | 8B | 126 BPM | ||
| How We Danced - Solo Piano Version | Rosey Chan | A Minor | 0 | 8A | 67 BPM | ||
| Moonbeams | Leo Livens, Duncan Honeybourne | C Major | 0 | 8B | 64 BPM | ||
| Robin's Cello | Phoria | G Major | 0 | 9B | 115 BPM | ||
| Melodies of the Upper Worlds (Arr. M. Ayrapetyan for Piano): XIII. To Proclaim in the Morning About Your Mercy | Baal HaSulam, Mikael Ayrapetyan | A Major | 0 | 11B | 70 BPM | ||
| recollection | Rachel Portman | F Minor | 2 | 4A | 171 BPM | ||
| Sunshine Canyon | Michael Jones, David Darling | E Minor | 0 | 9A | 141 BPM | ||
| The Sound Of Silence (Arr. Lawson, Trueman) | Paul Simon, Miloš Karadaglić, 12 Ensemble | D Minor | 1 | 7A | 92 BPM | ||
| Annual Rings | Meredi | A Minor | 2 | 8A | 121 BPM | ||
| Deux Pensées | Darker In Vine | B♭ Major | 1 | 6B | 90 BPM | ||
| Concertino bianco: 2. Con venerazione | Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 0 | 8B | 77 BPM | ||
| Amble | Charlie J Perry | E♭ Major | 0 | 5B | 71 BPM | ||
| The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
| Full Moon Dances - Concerto for Alto Saxophone and Orchestra: II. First Ritual Dance | Ross Edwards, Amy Dickson, Sydney Symphony Orchestra, Miguel Harth-Bedoya | A Minor | 4 | 8A | 118 BPM | ||
| 2 Mélodies, Op.3: II. Andante (Arr. for Cello and Piano) | Anton Rubinstein, Raphaela Gromes, Julian Riem | B Major | 1 | 1B | 102 BPM | ||
| Sonata for Violin and Piano (Arr. for Saxophone and Orchestra): Movement I | Philip Glass, Amy Dickson, Catherine Milledge | G Minor | 2 | 6A | 121 BPM | ||
| Balcony Hotel - From 'Miss' | Lambert | A♭ Minor | 2 | 1A | 132 BPM | ||
| Water Variations and Theme: Variation II | Oliver Davis, Beth & Flo | C Minor | 1 | 5A | 117 BPM | ||
| Pavane, Op. 50 (Arr. for Saxophone and Orchestra) | Amy Dickson, Gabriel Fauré, London Session Orchestra, Chris Walden | F♯ Minor | 1 | 11A | 117 BPM | ||
| The Magic Goblet | Peter Breiner, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 130 BPM | ||
| Mercy | Max Richter, Mari Samuelsen | B♭ Minor | 1 | 3A | 101 BPM | ||
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM |