Ross Edwards, Amy Dickson, Sydney Symphony Orchestra, Miguel Harth-Bedoya's ' "Full Moon Dances - Concerto for Alto Saxophone and Orchestra: II. First Ritual Dance" was released on its scheduled release date, January 8, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Amy Dickson's "Island Songs" album is number 5 out of 8. In terms of popularity, Full Moon Dances - Concerto for Alto Saxophone and Orchestra: II. First Ritual Dance is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Full Moon Dances - Concerto for Alto Saxophone and Orchestra: II. First Ritual Dance by Ross Edwards, Amy Dickson, Sydney Symphony Orchestra, Miguel Harth-Bedoya to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bridge of Darling | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Jackie Vanguast | C Minor | 1 | 5A | 69 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | ||
| Celtic Concerto: 1. Jig a Jig | Catrin Finch, Sinfonia Cymru, John Rutter | E♭ Major | 3 | 5B | 140 BPM | ||
| H. Villa-Lobos - O Canto do Cisne Negro | Duo Acalanto | A Minor | 1 | 8A | 170 BPM | ||
| Wild Swans - Concert Suite: 1. Green Leaf | Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner | C Minor | 1 | 5A | 81 BPM | ||
| Ulpirra | Ross Edwards, Diana Doherty, Arvo Volmer, Melbourne Symphony Orchestra | G Major | 0 | 9B | 77 BPM | ||
| Choral Hymns from the Rig Veda, 3rd Group, Op. 26: 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 85 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Adelaide Symphony Orchestra, Ron Spigelman | F Major | 0 | 7B | 86 BPM | ||
| 12 Studies for Harp: No. 4 | John Thomas, Paola Baron | C Major | 0 | 8B | 105 BPM | ||
| Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
| Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | F Major | 0 | 7B | 99 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Gabriel's Oboe (From "The Mission") | Diana Doherty | D Major | 2 | 10B | 84 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Lumen Prime Aurore | Mary Finsterer, Melbourne Symphony Orchestra, Benjamin Northey | E Minor | 2 | 9A | 118 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| Puccini: Crisantemi: Elegy for String Quartet | Giacomo Puccini, Quartetto Noûs | G Major | 1 | 9B | 120 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Ariadne's Lament (Variations on a Theme by Claudio Monteverdi) | Vladimir Kobekin, Anastasia Kobekina | D♭ Minor | 1 | 12A | 85 BPM | ||
| Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
| Variations on a Rococo Theme, Op. 33: Variation III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | C Major | 1 | 8B | 79 BPM | ||
| Spiegel im Spiegel (Arr. for Piano) | Arvo Pärt, Tamara Anna Cislowska | F Major | 0 | 7B | 99 BPM | ||
| The Heart of Night, for shakuhachi and orchestra: I. Night Music | Ross Edwards, Melbourne Symphony Orchestra, Arvo Volmer | B♭ Major | 0 | 6B | 76 BPM |