On February 2, 2018, the song "Bacchus" was released by Oliver Davis, Royal Philharmonic Orchestra, Paul Bateman. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Bacchus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Oliver Davis: Liberty". In this album, this song's track order is #6. The popularity of Bacchus is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bacchus by Oliver Davis, Royal Philharmonic Orchestra, Paul Bateman having a BPM of 161 with a half-time of 80 BPM and a double-time of 322 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duet | Steve Reich, Mari Samuelsen, Soyoung Yoon, Scoring Berlin, Jonathan Stockhammer | F Major | 3 | 7B | 132 BPM | ||
| The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
| Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
| saman (Arr. Lawson for Saxophone & Ensemble) | Jess Gillam, Jess Gillam Ensemble | E♭ Major | 1 | 5B | 107 BPM | ||
| The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
| Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace | Frédéric Chopin, Benjamin Grosvenor | B Major | 2 | 1B | 122 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| Arco: I. First Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | D♭ Major | 4 | 3B | 122 BPM | ||
| Erbarme dich, mein Gott Variation (After Matthäuspassion, BWV 244, No. 47: Erbarme dich, mein Gott) [Arr. for Violin, String Quintet & Piano by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | C Major | 2 | 8B | 90 BPM | ||
| A Long Life | Luke Howard | B Minor | 1 | 10A | 64 BPM | ||
| The Four Seasons: Spring 1 | Delirium Musicum, Étienne Gara | D♭ Major | 4 | 3B | 136 BPM | ||
| Consolation | Alain Lefèvre | D Major | 1 | 10B | 169 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons | F Major | 1 | 7B | 104 BPM | ||
| Wild Swans Suite: II. Eliza Aria (Version for Piano) | Elena Kats-Chernin, Lang Lang | F Major | 2 | 7B | 81 BPM | ||
| V. Earth | Rachel Portman, Niklas Liepe, WDR Funkhausorchester, Erina Yashima | G Minor | 1 | 6A | 99 BPM | ||
| The Secret Garden | Sally Greenaway, David Shaw, Samuel Payne, Edward Neeman | D♭ Major | 3 | 3B | 161 BPM | ||
| A Midsummer Night's Dream, Op. 61: VII. Nocturne (Transcr. Moszkowski for Piano) | Felix Mendelssohn, Isata Kanneh-Mason | E Major | 0 | 12B | 69 BPM | ||
| Luna - Solo Piano Version | Eunike Tanzil | F Major | 0 | 7B | 140 BPM | ||
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
| Étude No. 8: Through the Window | Marie Awadis | A Minor | 0 | 8A | 134 BPM | ||
| Eros and Psyche: IV | Oliver Davis, Simon Littlefield, Grace Davidson, Huw Watkins, Oliver Wass, Benedict Moriarty, Sam Brophy, Peter Illenyi, Budapest Scoring Orchestra | F♯ Minor | 2 | 11A | 100 BPM | ||
| Air Variation (After Orchestral Suite No. 3, BWV 1068: II. Air) [Arr. for Violin & String Quintet by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | D Major | 3 | 10B | 87 BPM | ||
| Lim Cosmic Rhapsody for Piano and Orchestra, Act II: II. Is Anybody Out There | Manu Martin, Joi Barua, Jean-Yves Thibaudet, London Voices, Royal Philharmonic Orchestra, Robert Ziegler | A Major | 7 | 11B | 164 BPM | ||
| Thaïs, Act II: Méditation | Jules Massenet, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | E Minor | 1 | 9A | 172 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM |