Grupo Buenos Aires's ' "Adiós Muchachos" was released on its scheduled release date, March 3, 1995. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Adiós Muchachos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Best Tangos". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Adiós Muchachos's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Adiós Muchachos by Grupo Buenos Aires having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Última Curda | Omar Mollo | C Major | 5 | 8B | 113 BPM | ||
| Este es el Rey - Estilo Juan D´Arienzo | SEXTETO VISCERAL | F♯ Minor | 4 | 11A | 135 BPM | ||
| Canaro en Paris / El Once | Orquestra Românticos de Cuba | G Major | 4 | 9B | 122 BPM | ||
| Oigo Tu Voz | Orquesta Típica Tanturi, Hugo Araujo | D♭ Major | 2 | 3B | 148 BPM | ||
| Desde el alma | Cuarteto Guardia Vieja | B Minor | 5 | 10A | 109 BPM | ||
| Reliquias porteñas 2 - Remastered | Francisco Canaro Y Su Orquesta Tipica | F♯ Minor | 4 | 11A | 106 BPM | ||
| A mi madre | Cuarteto Guardia Vieja | F♯ Minor | 5 | 11A | 108 BPM | ||
| Derecho Viejo I | Julio De Caro | F Minor | 3 | 4A | 122 BPM | ||
| El Internado | Pablo Ramos & los Herederos del Compás | C Minor | 3 | 5A | 126 BPM | ||
| Haste Siempre Amor | Jorge Valdéz Con La Orq. Juan D'Arienzo | E♭ Minor | 4 | 2A | 69 BPM | ||
| Por fin te encuentro mendoza | Leandro Airala | A Major | 2 | 11B | 151 BPM | ||
| Después | Orquesta Típica Sans Souci | G Minor | 3 | 6A | 119 BPM | ||
| Remembranza - Alternate Take | Ricardo Malerba | G Minor | 5 | 6A | 113 BPM | ||
| Maria | Chino Laborde, Daniel Ruggiero | F Major | 4 | 7B | 100 BPM | ||
| Espejos Rotos | TITANES RM | G Minor | 5 | 6A | 113 BPM | ||
| La Bordona | Bandonegro | E Minor | 2 | 9A | 105 BPM | ||
| El Panuelito | Osvaldo Pugliese con Jorge Maciel | F♯ Major | 1 | 2B | 110 BPM | ||
| A mis tíos | Beata Söderberg | F Major | 3 | 7B | 112 BPM | ||
| Bettinotti | Enrique Saborido, Libertad Lamarque | B♭ Minor | 3 | 3A | 107 BPM | ||
| La paloma | Florindo Sassone Y Su Orquesta | D Major | 4 | 10B | 119 BPM | ||
| Mano a mano | Hugo Del Carril | D Minor | 4 | 7A | 134 BPM | ||
| Al Pie de tu Balcón | Rene Julio, Juan Arvizu | B Major | 5 | 1B | 126 BPM | ||
| Negro carbón | Quinteto Pirincho | G Major | 3 | 9B | 110 BPM | ||
| Al pasar | Ricardo Tanturi y Enrique Campos | F♯ Major | 4 | 2B | 114 BPM | ||
| Milonga del tiempo heroico | Quinteto Pirincho | D Major | 4 | 10B | 114 BPM |