Chagdud Tulku Rinpoche's 'Intellectual Analysis and Faith' had a release date set for January 1, 2000. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The song is number 8 out of 52 in An Introduction to the Practice of Red Tara by Chagdud Tulku Rinpoche. In terms of popularity, Intellectual Analysis and Faith is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Intellectual Analysis and Faith by Chagdud Tulku Rinpoche is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 100 Syllable Mantra | Jamyang Sakya | E♭ Major | 2 | 5B | 88 BPM | ||
| Samadhi Padah | T.K.V.Desikachar | E Major | 2 | 12B | 99 BPM | ||
| Praise to Christ | WEXCOMGKO | C Major | 0 | 8B | 143 BPM | ||
| Place | Promix | A Minor | 4 | 8A | 94 BPM | ||
| Vajrapani Mantra | Peter Haeder | D♭ Minor | 4 | 12A | 113 BPM | ||
| Budunm | Guilt# | B Minor | 1 | 10A | 86 BPM | ||
| Suryopanishath | Shastry Brothers | E♭ Major | 5 | 5B | 141 BPM | ||
| Joy | Agbobu | A♭ Minor | 0 | 1A | 138 BPM | ||
| Nogre | Jacksonian17 | G Major | 0 | 9B | 121 BPM | ||
| White Tara: Om Tare Tu Tare Ture Mama Ah Yuh Pune Jana Putim Kuru Soha | Deva Premal, The Gyuto Monks Of Tibet | C Minor | 2 | 5A | 109 BPM | ||
| HAM Throat Chakra | Carmen Ng | D Major | 1 | 10B | 64 BPM | ||
| Tanpura Anahata Meditation in G# | Bagno Armonico | D♭ Major | 0 | 3B | 83 BPM | ||
| Sept vers au précieux maître | Lama Gyurme, Jean-Philippe Rykiel | E♭ Minor | 2 | 2A | 98 BPM | ||
| Soul Song for Weightloss | Dr. & Master Zhi Gang Sha | D Major | 8 | 10B | 170 BPM | ||
| Tajwid surat al qaria | Taykon | D♭ Major | 0 | 3B | 67 BPM | ||
| Om Ah Hum Benzar Guru Padma Siddhi Hum | Dharma Publishing | D♭ Minor | 1 | 12A | 171 BPM | ||
| Sadhana Quintaesencial de Yeshe Tsogyal | Naila Castillo | A Minor | 5 | 8A | 90 BPM | ||
| The Inner Methods Of Vajrayana-Lama Tsering Translates | Chagdud Tulku Rinpoche | B Minor | 2 | 10A | 77 BPM | ||
| Prayer to the Twenty-One Taras | Chagdud Tulku Rinpoche | D Major | 2 | 10B | 111 BPM | ||
| Tibetan Monk Bass Chants (For Meditation & Relaxation) | Robbins Island Music Group | D Major | 0 | 10B | 87 BPM | ||
| Calling the Lama from Afar | Chagdud Tulku Rinpoche | B Major | 2 | 1B | 122 BPM | ||
| Kunsang | Tenzin Choegyal, Jamyang Dolma | E♭ Major | 1 | 5B | 181 BPM | ||
| One Can Always Call Upon Tara | Chagdud Tulku Rinpoche | D Major | 4 | 10B | 171 BPM | ||
| Chants of Mahakala | Manose Singh, Ani Choying Drolma, Santa Ratna Shakya, Shree Krishna Shahi | F Major | 1 | 7B | 83 BPM | ||
| Manjushri (Wisdom) | Lama Tashi | D♭ Minor | 2 | 12A | 120 BPM |