Miguel de Fuenllana, Christopher Wilson's ' "Fuenllana: Libro de música "Orphenica lyra", Libro I: Duo de Fuenllana" was released on its scheduled release date, January 1, 1990. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Fuenllana: Libro de música "Orphenica lyra", Libro I: Duo de Fuenllana's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vihuela Music from the Spanish Renaissance by Christopher Wilson. The song's track number on the album is #20 out of 31 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Fuenllana: Libro de música "Orphenica lyra", Libro I: Duo de Fuenllana is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Fuenllana: Libro de música "Orphenica lyra", Libro I: Duo de Fuenllana by Miguel de Fuenllana, Christopher Wilson has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fuenllana: Libro de música "Orphenica lyra", Libro I: Duo de Fuenllana being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa "La Spagna": II. Gloria | Heinrich Isaac, Into the Winds | A♭ Minor | 3 | 1A | 114 BPM | ||
| Carillon | Ennemond Gaultier, Toyohiko Satoh | D♭ Minor | 1 | 12A | 58 BPM | ||
| Seis diferencias del igno de Nuestra Señora O gloriosa domina, Book IV | Luis de Narváez, Xavier Diaz-Latorre | B♭ Minor | 1 | 3A | 101 BPM | ||
| Saltarello della tedesca | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | D Minor | 1 | 7A | 129 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| Da Ripa : Benedicta es coelorum Regina | Heringman | E Major | 0 | 12B | 83 BPM | ||
| Suite in E minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | ||
| Villanos | Francisco Guerau, Gordon Ferries | D♭ Major | 1 | 3B | 129 BPM | ||
| La Pacifique | Louis Constantin, Le Poème Harmonique, Vincent Dumestre | F Major | 1 | 7B | 86 BPM | ||
| MRS. White's Nothing | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 95 BPM | ||
| Sus mon lut, d'un accord pitoyable | Didier Leblanc, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | G Major | 1 | 9B | 71 BPM | ||
| Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM | ||
| Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 88 BPM | ||
| Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
| Ordo virtutum: Virtutes – O, Deus, quis es tu? | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker | A Minor | 0 | 8A | 80 BPM | ||
| Quella bella e biancha mano | Antonio Caprioli, Shirley Rumsey | D Major | 0 | 10B | 72 BPM | ||
| LOrfeo, SV318: Signor, Quellinfelice | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
| Crabbe Schaw (Intrada) | Johann Grabbe, Capella De La Torre, Katharina Bauml | A Minor | 2 | 8A | 144 BPM | ||
| The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | D♭ Minor | 0 | 12A | 42 BPM | ||
| Corrente detta la Grimalda | Domenico Pellegrini, Albane Imbs | D♭ Major | 1 | 3B | 103 BPM | ||
| Sonata in G Major for viola da gamba - Adagio | Carl Friedrich Abel, Move Records, The Marais Project | G Minor | 0 | 6A | 67 BPM |