On January 14, 2014, the song "Awadh Me Saryu Maiya" was released by Devendra Pathak. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 1 out of 8 in Ayodhya Mere Ram Ki by Devendra Pathak. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Awadh Me Saryu Maiya is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Awadh Me Saryu Maiya by Devendra Pathak is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 18 Bash Tera Maine Wait Kiya Re | Devendra Pathak | F Major | 8 | 7B | 93 BPM | ||
| Murli Baja Ke Mohana | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 8 | 4B | 148 BPM | ||
| Braj Chaurasi Kos Me | Devi Neha Saraswat | C Major | 5 | 8B | 82 BPM | ||
| Sharda Maiya Tero Jhulna | Pooja Golhani | G Major | 7 | 9B | 100 BPM | ||
| Sherva Sawari Bade | Bharat Sharma Vyas | G Major | 5 | 9B | 169 BPM | ||
| Sawan Ki Rut Hai | Sonu Nigam | B Minor | 8 | 10A | 90 BPM | ||
| Khamma Khamma - Original | Prakash Mali | B♭ Minor | 9 | 3A | 88 BPM | ||
| Sansar Ke Logo Se Asha Na Karna | Devendra Pathak | E♭ Major | 5 | 5B | 150 BPM | ||
| Duniya Chalena Shriram | Master Rana | B♭ Minor | 4 | 3A | 80 BPM | ||
| Thari Jay Ho Pawan Kumar Bajrang Balaji | Shyam Paliwal | F Minor | 9 | 4A | 100 BPM | ||
| Pata Nahi Kis Roop Mein Aakar Narayan Mil Jayega | Samriddh Gaur Chetna | F♯ Major | 9 | 2B | 122 BPM | ||
| Sari Duniya Hai Diwani | Sadhvi Purnima Ji | C Minor | 8 | 5A | 100 BPM | ||
| Cham Cham Nache Dekho Veer Hanumana | Anju Sharma | E♭ Major | 8 | 5B | 135 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Ye Meri Arji Hai | Devendra Pathak | C Minor | 7 | 5A | 96 BPM | ||
| Shyam Tujhe Na Chodeenge | Sanjay Mittal | B Major | 8 | 1B | 165 BPM | ||
| Maiya Karade Mero Byah - Original | Dheeraj Bhandari, Prakriti Sharma | F♯ Minor | 9 | 11A | 170 BPM | ||
| He Ri Sakhi Mangal Gaao Ri | Mishra Bandhu | D♭ Major | 9 | 3B | 101 BPM | ||
| Itni Kripa Sanware Bhaye Rakhna | Aniruddhacharya Ji Maharaj | F Minor | 9 | 4A | 84 BPM | ||
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Mahara Kirtan Mein | Manish Tiwari | A♭ Major | 6 | 4B | 116 BPM | ||
| Sare Tirth Dham | Sadhvi Purnima | C Major | 7 | 8B | 120 BPM | ||
| Ram Dhun | Devendra Pathak | F Minor | 2 | 4A | 144 BPM | ||
| Bhay Prakat Kripala | Devendra Pathak | B Minor | 8 | 10A | 76 BPM |