"The Homestead" by Bernard Herrmann had its release date on 1964. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bernard Herrmann's "Marnie (Complete Original Motion Picture Score)" album is number 14 out of 51. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Homestead is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Homestead by Bernard Herrmann to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| God's Lonely Man - Album Version, With Alternate Ending | Bernard Herrmann | C Major | 3 | 8B | 119 BPM | ||
| Crystal | Piero Umiliani | E Minor | 2 | 9A | 174 BPM | ||
| Love Theme From Chinatown (Main Title) - From The "Chinatown" Soundtrack | Jerry Goldsmith | G Minor | 3 | 6A | 40 BPM | ||
| The Streets | Bernard Herrmann | F Major | 2 | 7B | 66 BPM | ||
| Soirée perdue - Bande originale du film "Pierrot le fou" | Antoine Duhamel | A Minor | 2 | 8A | 100 BPM | ||
| Love Theme | Miklós Rózsa | C Minor | 0 | 5A | 87 BPM | ||
| Rocky Mountains | Wendy Carlos, Rachel Elkind | E Minor | 2 | 9A | 149 BPM | ||
| A Beautiful Mine (Mad Men Theme) | David Carbonara | D Minor | 5 | 7A | 172 BPM | ||
| Almost blue | Ionn Blignault | C Major | 1 | 8B | 113 BPM | ||
| Natascha - Main Theme | Peter Thomas Sound Orchester | C Major | 3 | 8B | 95 BPM | ||
| Not Goin' Home Anymore - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 1 | 5B | 97 BPM | ||
| Julien Dans L'Ascenseur | Miles Davis | F Minor | 3 | 4A | 115 BPM | ||
| The Godfather Waltz (Main Title) | Nino Rota, Carlo Savina | C Minor | 1 | 5A | 62 BPM | ||
| Nostalgia - Rhythm Version | Piero Umiliani | A Minor | 4 | 8A | 175 BPM | ||
| The Past And The Girl | Bernard Herrmann | D Minor | 1 | 7A | 89 BPM | ||
| Graysmith | David Shire | F Major | 0 | 7B | 172 BPM | ||
| David | Philippe Sarde | D♭ Major | 0 | 3B | 59 BPM | ||
| Strip-Tease - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | ||
| Personal Contact | Michel Colombier | A♭ Major | 5 | 4B | 103 BPM | ||
| Pastoral Suite 10 - Remastered | Jean Clero, Polish Radio Orchestra | D Minor | 3 | 7A | 85 BPM | ||
| Poema | Bruno Nicolai | F Minor | 1 | 4A | 118 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| Eclisse Slow - From "L'eclisse" Original Soundtrack | Giovanni Fusco | G Major | 1 | 9B | 73 BPM | ||
| Slow Brood | Andrew Hale, Simon Hale | E Major | 8 | 12B | 128 BPM | ||
| Kay's Theme (From "The Godfather Part II") | Carmine Coppola | E Major | 1 | 12B | 87 BPM |