"Openings" by Max Richter had its release date on September 15, 2017. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Openings's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Taboo (Music From The Original TV Series)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Openings is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Openings by Max Richter having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Devil Himself | Carlos Rafael Rivera | D♭ Minor | 2 | 12A | 89 BPM | ||
| Mountain | Khethiwe | D Minor | 7 | 7A | 95 BPM | ||
| From Man to God King | Junkie XL | F Minor | 3 | 4A | 80 BPM | ||
| The Rain Returns | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Let My Key Be C | Nils Frahm, Anne Müller | F Major | 3 | 7B | 164 BPM | ||
| Transmita | Klahman | B Minor | 2 | 10A | 100 BPM | ||
| 21 Days | Alexandre Desplat | F Minor | 0 | 4A | 84 BPM | ||
| Avalon | Ryan Taubert | G Major | 1 | 9B | 59 BPM | ||
| Path 17 (Before the Ending of Daylight) - Pt. 7 | Max Richter, Grace Davidson, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | G Minor | 0 | 6A | 79 BPM | ||
| Walking | Marc Streitenfeld | E Major | 3 | 12B | 105 BPM | ||
| Celesta Taboo Lament (Title Edit) - Bonus Track | Max Richter | G Major | 3 | 9B | 170 BPM | ||
| Suicide | Junkie XL | D♭ Major | 3 | 3B | 167 BPM | ||
| Norman | Steven Price | B♭ Major | 5 | 6B | 120 BPM | ||
| Zed | Nick Cave & Warren Ellis | B Major | 2 | 1B | 119 BPM | ||
| Cut the Pipe | Steve Jablonsky | D Major | 3 | 10B | 95 BPM | ||
| The Call | Dario Marianelli | B Major | 1 | 1B | 74 BPM | ||
| Bombings | Alexandre Desplat | E♭ Major | 0 | 5B | 79 BPM | ||
| Bjorn's Choice | Trevor Morris | D♭ Major | 1 | 3B | 66 BPM | ||
| Cradle to the Grave | Max Richter | G Major | 0 | 9B | 76 BPM | ||
| The Crown Prince's Speech | Henry Jackman, Dominic Lewis | G Minor | 3 | 6A | 120 BPM | ||
| The Next Screen (Bonus) | Jeff Russo, Jordan Gagne | E Minor | 3 | 9A | 120 BPM | ||
| The Faculty Wife | Jocelyn Pook | A♭ Major | 0 | 4B | 73 BPM | ||
| Ballade in C# Minor: Coronation | Nicholas Britell | D♭ Major | 2 | 3B | 80 BPM | ||
| Purples (Epilogue Version) | Sebastian Plano | E♭ Minor | 1 | 2A | 74 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM |