David Arnold's 'But He Never Did' had a release date set for December 20, 2019. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Tiger Who Came to Tea (Original Film Soundtrack)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, But He Never Did's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With But He Never Did by David Arnold having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alan (From "The Imitation Game" Soundtrack) | Alexandre Desplat, London Symphony Orchestra | D Minor | 2 | 7A | 59 BPM | ||
| The Woman | David Arnold, Michael Price | D Major | 1 | 10B | 86 BPM | ||
| Back to Work | David Arnold, Michael Price | B♭ Major | 2 | 6B | 112 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| The Pier | Rachel Portman | E Minor | 1 | 9A | 85 BPM | ||
| Professor Umbridge | Nicholas Hooper | E Minor | 3 | 9A | 140 BPM | ||
| First Drop-Off, First Kiss | James Horner | D Major | 1 | 10B | 58 BPM | ||
| Ashes to the Wind / Roux Returns (From "Chocolat" Soundtrack) | Rachel Portman | A Minor | 0 | 8A | 92 BPM | ||
| Gravity | Steven Price | A♭ Minor | 3 | 1A | 93 BPM | ||
| The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| Eli's Theme | Johan Söderqvist | F Minor | 2 | 4A | 76 BPM | ||
| Redbeard | David Arnold, Michael Price | A Minor | 2 | 8A | 81 BPM | ||
| Harlan's Plan | Nathan Johnson | D Major | 2 | 10B | 85 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Can I Come With You? | Murray Gold | A Minor | 1 | 8A | 78 BPM | ||
| Embankment | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| A Man Who Can | David Arnold, Michael Price | C Minor | 2 | 5A | 121 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| Gravity Swallows Light | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Welcome To The Real World | Don Davis | C Minor | 0 | 5A | 142 BPM | ||
| Moorish Scents | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | D Minor | 1 | 7A | 71 BPM | ||
| Clary's Theme | Atli Örvarsson | D Minor | 1 | 7A | 95 BPM | ||
| Entirely Beloved | Debbie Wiseman | E Minor | 2 | 9A | 105 BPM | ||
| Knives Out!, Pt. II (The Will) | Nathan Johnson | G Major | 3 | 9B | 113 BPM | ||
| The Escape | J Scott Rakozy, Hogwarts Legacy | E Minor | 1 | 9A | 148 BPM |