Paul Pritchard's ' "One Beautiful Afternoon" was released on its scheduled release date, January 30, 2019. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Positive Strings 2". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. The popularity of One Beautiful Afternoon is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With One Beautiful Afternoon by Paul Pritchard having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Vault | Trigg & Gusset | E♭ Minor | 1 | 2A | 88 BPM | ||
| The Nothing Changes | The Kilimanjaro Darkjazz Ensemble | A♭ Major | 2 | 4B | 80 BPM | ||
| Peepshow | Pram | A Major | 2 | 11B | 77 BPM | ||
| Melodies for the Empty Streets | Jazz & Co. | E Minor | 0 | 9A | 117 BPM | ||
| Monday Monday | Paul Pritchard | G Minor | 3 | 6A | 120 BPM | ||
| I Smell a Rat | Peter McConnell | C Minor | 2 | 5A | 172 BPM | ||
| Last call | Midnight Smoke | G Minor | 0 | 6A | 157 BPM | ||
| New Shoes | Angelo Badalamenti, David Lynch | F Minor | 1 | 4A | 110 BPM | ||
| Cotard Delusion | The Kilimanjaro Darkjazz Ensemble | E Minor | 4 | 9A | 84 BPM | ||
| The Men of Sterling-Cooper | David Carbonara | G Major | 3 | 9B | 120 BPM | ||
| Billabong | Bob Barnard and Friends | D Minor | 1 | 7A | 65 BPM | ||
| Difference Engine | Black Chamber | D Minor | 4 | 7A | 120 BPM | ||
| Cement Jungle | Hollywood Trailer Music Orchestra | E Minor | 4 | 9A | 80 BPM | ||
| Fedora Shadow | John Greaves | C Minor | 2 | 5A | 77 BPM | ||
| Sleepy New York | Sullivan Murphy | B♭ Major | 3 | 6B | 95 BPM | ||
| This Is The Police (Act 1 Theme) | Ben Matthews | C Major | 1 | 8B | 66 BPM | ||
| Narrow Escape | The Orchestra of Mirrored Reflections | B♭ Minor | 3 | 3A | 140 BPM | ||
| Night Lights - 1965 Version | Gerry Mulligan Sextet | A♭ Major | 1 | 4B | 122 BPM | ||
| Quai De Seine | John Greaves | E Minor | 2 | 9A | 80 BPM | ||
| Caper at the Coffee House | Warren Barker And His Orchestra, Don Fagerquist, Stu Williamson, Pete Candoli, Milt Bernhart, Frank Rosolino, Ted Nash, Ronny Lang, Buddy Collette, Victor Feldman, Howard Roberts, Barney Kessel, Red Mitchell, Shelly Manne | D Minor | 2 | 7A | 132 BPM | ||
| Main Title | Johnny Mandel | F Minor | 4 | 4A | 109 BPM | ||
| The Two Of Us | Mark Isham | G Minor | 2 | 6A | 49 BPM | ||
| Dance of the Dream Man - Instrumental | Angelo Badalamenti | F Minor | 2 | 4A | 110 BPM | ||
| Our Kingdom (Instrumental) | Paul Pritchard, H. Parsley, Louis Edwards | D♭ Major | 7 | 3B | 174 BPM | ||
| Noire Clarinet | Andrew Hale | C Major | 1 | 8B | 75 BPM |