Julie London's 'Memphis In June' had a release date set for 1956. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Memphis In June's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 13 in Calendar Girl by Julie London. Memphis In June is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Memphis In June by Julie London is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All Dressed Up with a Broken Heart | Chris Connor | E♭ Major | 3 | 5B | 118 BPM | ||
| I Only Have Eyes For You | Catherine Russell | F♯ Major | 2 | 2B | 89 BPM | ||
| Street of Dreams | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| You Go To My Head | Susannah McCorkle | A♭ Minor | 0 | 1A | 111 BPM | ||
| Change Partners | Fred Astaire | F Major | 0 | 7B | 81 BPM | ||
| Afternoon Whimsy | Clover Keys Music | B♭ Major | 2 | 6B | 64 BPM | ||
| That Sunday That Summer | Natalie Cole | C Major | 3 | 8B | 77 BPM | ||
| Midnight Sun | Ella Fitzgerald | E♭ Major | 1 | 5B | 61 BPM | ||
| Next Time | Caity Gyorgy | B Major | 4 | 1B | 73 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| A Mile Down the Highway | Shorty Rodgers and His Orchestra, The Giants | D♭ Major | 3 | 3B | 122 BPM | ||
| I'm Yours to Hold | Playing From Another Room | F Minor | 4 | 4A | 74 BPM | ||
| Knit One Purl Two | Glenn Miller | D Major | 1 | 10B | 70 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| 'S Wonderful | Fred Astaire | A Minor | 2 | 8A | 70 BPM | ||
| The Good Life | Billy Eckstine | G Major | 2 | 9B | 68 BPM | ||
| Blue And Sentimental - 1947 Version | Nat King Cole Trio | A♭ Major | 0 | 4B | 130 BPM | ||
| Too Good To Be True | Julie London | B♭ Minor | 1 | 3A | 97 BPM | ||
| This Time The Dream's On Me - Remastered | Nancy Wilson | B♭ Minor | 3 | 3A | 96 BPM | ||
| If You Could See Me Now | Morgana King | A♭ Major | 1 | 4B | 170 BPM | ||
| Out of My Dreams | Hal David, John Cacavas | G Major | 4 | 9B | 120 BPM | ||
| Peel Me A Grape | Anita O'Day, Cal Tjader | E♭ Minor | 3 | 2A | 106 BPM | ||
| Gentleman Friend | Blossom Dearie | C Minor | 2 | 5A | 133 BPM | ||
| It's So Peaceful In the Country | Mildred Bailey | E♭ Major | 3 | 5B | 118 BPM | ||
| Two Sleepy People | Julie London | G Major | 4 | 9B | 75 BPM |