"Mariä Wiegenlied, Op. 76/52" by Max Reger, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs had its release date on January 1, 2005. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Mariä Wiegenlied, Op. 76/52's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sacred Songs (US Bonus Track Version)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Mariä Wiegenlied, Op. 76/52 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mariä Wiegenlied, Op. 76/52 by Max Reger, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | ||
| Joy To The World | Lowell Mason, The Bach Choir, Royal Philharmonic Orchestra, John Rutter | D Major | 2 | 10B | 96 BPM | ||
| Minuit, chrétiens! - Arr. Alain Kremski | Adolphe Adam, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse, Choeur De Capitole De Toulouse, Petits Chanteurs à la Croix Potencée, David Godefroid, Pierre Iodice | E♭ Major | 2 | 5B | 87 BPM | ||
| No. 21 - In trutina from Carmina Burana - Vocal | Carl Orff, Charlotte Church, Sian Edwards | F Major | 0 | 7B | 91 BPM | ||
| Fauré: Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Paavo Järvi, Philippe Jaroussky, Orchestre de Paris | B♭ Major | 0 | 6B | 129 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Michael Chance, Stephen Cleobury | D♭ Minor | 0 | 12A | 76 BPM | ||
| Ave Maria, CG 89a | Charles Gounod, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | F Major | 1 | 7B | 106 BPM | ||
| Poulenc: O Magnum Mysterium | Francis Poulenc, Grex Vocalis, Carl Høgset | B♭ Major | 0 | 6B | 78 BPM | ||
| Oratorio de Noël, Op. 12: Duet. Benedictus qui venit (Soprano, Basso) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | ||
| 2 Christmas Lullabies: No. 1, I Sleep, Jesus | Valentin Silvestrov, Ieva Ezeriete, Agate Burkina, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 80 BPM | ||
| Serenity (O Magnum Mysterium) | Ola Gjeilo, Tenebrae, Matthew Sharp, Kristian Kvalvaag | G Major | 1 | 9B | 76 BPM | ||
| Adeste Fideles (O come, all ye faithful) | John Francis Wade, Dame Joan Sutherland, Ambrosian Singers, New Philharmonia Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 0 BPM | ||
| Requiem, Op.48: Pie Jesu | Gabriel Fauré, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Daniele Rossi | B♭ Major | 0 | 6B | 87 BPM | ||
| Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | ||
| Messe solennelle de Ste. Cécile: Sanctus | Charles Gounod, Kiri Te Kanawa, St. Paul's Cathedral Choir, English Chamber Orchestra, Barry Rose | F Major | 1 | 7B | 85 BPM | ||
| In dulci jubilo | Michael Praetorius, Fritz Wunderlich, Hermann Prey, Wolfgang Neininger, Robert Bodenröder, Hans Georg Renner, Dietmar Keller, Helmut Böcker, Wolfgang Stert, Fritz Neumeyer | G Major | 4 | 9B | 101 BPM | ||
| Once in Royal David's City | King's College Choir | G Major | 1 | 9B | 75 BPM | ||
| Messiah, HWV 56: Part 2: Hallelujah (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 86 BPM | ||
| Magnificat: IV. Et misericordia | John Rutter, Patricia Forbes, City of London Sinfonia, The Cambridge Singers | A♭ Major | 0 | 4B | 73 BPM | ||
| Messiah, HWV 56, Part I: No. 20, He Shall Feed His Flock Like a Shepherd | George Frideric Handel, London Symphony Orchestra, Sara Mingardo, Sir Colin Davis, Susan Gritton | B♭ Major | 1 | 6B | 88 BPM | ||
| Once In Royal David's City | Henry John Gauntlett, Royal Philharmonic Orchestra, Anthony Inglis | G Major | 1 | 9B | 74 BPM | ||
| Gabriel's Message | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | B♭ Minor | 1 | 3A | 75 BPM | ||
| I Will Lift up Mine Eyes | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| O Thou That Tellest Good Tidings To Zion - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | D Major | 0 | 10B | 84 BPM | ||
| Trumpet Tune "The Cebell": Trumpet Tune "The Cebell", Z697 | Henry Purcell, Crispian Steele-Perkins, English Chamber Orchestra, Barry Rose | D Major | 1 | 10B | 120 BPM |