"Mozart-Adagio, for Violin, Cello & Piano" by Arvo Pärt, Benjamin Hudson, Sebastian Klinger, Jürgen Kruse had its release date on February 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Pärt: Spiegel im Spiegel". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Mozart-Adagio, for Violin, Cello & Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mozart-Adagio, for Violin, Cello & Piano by Arvo Pärt, Benjamin Hudson, Sebastian Klinger, Jürgen Kruse having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
| 24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) | Dmitri Shostakovich, Alexander Melnikov | A Minor | 0 | 8A | 73 BPM | ||
| Three Pieces in Olden Style: 3. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 114 BPM | ||
| Avril 14 | Richard James, Katia Labèque, Marielle Labèque | A♭ Major | 0 | 4B | 90 BPM | ||
| The Morning: The Glitt'ring Sun (arr. G. Anderson and E. J. Roe) | Anderson & Roe | D♭ Major | 0 | 3B | 100 BPM | ||
| String Quartet No. 2 Op.13 in A minor: I Adagio - Allegro vivace | Felix Mendelssohn, Quatuor Ébène | A Minor | 3 | 8A | 70 BPM | ||
| From Jewish Life, B 54: I. Prayer - Live at Schloss Elmau, Krün / 2016 | Ernest Bloch, Mischa Maisky, Lily Maisky | G Minor | 3 | 6A | 100 BPM | ||
| Fauré: Élégie, Op. 24 | Gabriel Fauré, Roland Pidoux, Jean-Claude Pennetier | A♭ Major | 0 | 4B | 92 BPM | ||
| Silouan's Song | Arvo Pärt, Tõnu Kaljuste, Tallinn Chamber Orchestra | F Minor | 0 | 4A | 88 BPM | ||
| Bifu | Somei Satoh, Hilary Hahn, Cory Smythe | E Minor | 0 | 9A | 174 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Major | 0 | 7B | 112 BPM | ||
| Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Lars Vogt | E♭ Major | 0 | 5B | 72 BPM | ||
| Form | Jóhann Jóhannsson, Echo Collective | B Major | 2 | 1B | 96 BPM | ||
| 4 Impromptus, D. 899 (Op. 90): No. 3 in G-Flat Major. Andante | Franz Schubert, András Schiff | F♯ Major | 0 | 2B | 133 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schubert | G Minor | 1 | 6A | 105 BPM | ||
| Section 17 | Kees Wieringa, Arielle Vernède, Gerard Bouwhuis, Lotte Bovi, Mondrian Quartet, Polo de Haas, Simeon ten Holt | B♭ Minor | 1 | 3A | 149 BPM | ||
| String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
| Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
| Hugh Aston's Ground | William Byrd, Glenn Gould | A Minor | 1 | 8A | 72 BPM | ||
| Modulation: Looping Bach | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | G Minor | 1 | 6A | 122 BPM | ||
| Fantasia after J. S. Bach, BV 253 | Ferruccio Busoni, Igor Levit | F Minor | 0 | 4A | 133 BPM | ||
| The Unanswered Question - Live | Charles Ives, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 62 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Samson François, Orchestre De La Société Des Concerts Du Conservatoire, André Cluytens | A♭ Major | 2 | 4B | 126 BPM |