On January 1, 1970, the song "Na Koi Umang Hai And Dialogue" was released by Lata Mangeshkar, Rajesh Khanna, Asha Parekh, R. D. Burman. This song is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in R. D. Burman's "Kati Patang" album is number 7 out of 16. On top of that, India appears to be the country where this track was created. Based on our statistics, Na Koi Umang Hai And Dialogue's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Na Koi Umang Hai And Dialogue by Lata Mangeshkar, Rajesh Khanna, Asha Parekh, R. D. Burman to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
| Sahibaan Meri Sahibaan | Anuradha Paudwal, Jolly Mukherjee | G Major | 5 | 9B | 118 BPM | ||
| Itna Na Mujhse Tu Pyar Badha | Talat Mahmood, Lata Mangeshkar | C Major | 5 | 8B | 200 BPM | ||
| Mujhe Tum Mil Gaye Humdum | Lata Mangeshkar | D♭ Major | 5 | 3B | 125 BPM | ||
| Dil Pukare Aare Aare With Dialogue | Lata Mangeshkar, Mohammed Rafi, Dev Anand, Vyjayanthimala, S. D. Burman | B♭ Major | 3 | 6B | 98 BPM | ||
| Aaj Se Pehle Aaj Se Jyada | K. J. Yesudas | B♭ Minor | 6 | 3A | 89 BPM | ||
| Yeh Dil Ki Lagi Kya Hogi | Lata Mangeshkar | F♯ Major | 3 | 2B | 106 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Suhana Safar Aur Yeh Mausam | Mukesh | G Minor | 3 | 6A | 151 BPM | ||
| Mitwa Bole Meethe Bain | Bhupinder Singh, R. D. Burman | G Major | 2 | 9B | 149 BPM | ||
| Chookar Mere Manko | Sudesh Bhosle | A Major | 7 | 11B | 118 BPM | ||
| Maine Tujhe Manga - From "Deewaar" | Kishore Kumar, Asha Bhosle, R. D. Burman | F Minor | 7 | 4A | 169 BPM | ||
| Agar Tum Na Hote - Female Version Sad | R. D. Burman, Lata Mangeshkar | B Minor | 3 | 10A | 43 BPM | ||
| Kismat Ke Khel Nirale Mere Bhaiya | Ravi | G Major | 4 | 9B | 183 BPM | ||
| Aawaz Do Humko - Happy | Udit Narayan, Lata Mangeshkar | D Major | 6 | 10B | 136 BPM | ||
| Aaja Ki Intezar Mein | Mohammed Rafi, Lata Mangeshkar | E Minor | 3 | 9A | 174 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Ham Haal-E-Dil Sunaenge | Mubarak Begum | F♯ Minor | 1 | 11A | 89 BPM | ||
| Yahin Kahin Jiara Hamar (From "Khudgarz") | Nitin Mukesh, Sadhana Sargam | G Major | 7 | 9B | 154 BPM | ||
| Wahan Kaun Hai Tera Musafir | S. D. Burman | F♯ Major | 3 | 2B | 94 BPM | ||
| Dil Ka Diya Jalake Gaya Yeh Koi | Lata Mangeshkar, Majrooh Sultanpuri | F♯ Major | 3 | 2B | 95 BPM | ||
| Ab To Jee Hone Laga | Shamshad Begum | E♭ Major | 6 | 5B | 132 BPM | ||
| Aana Jana (Part II) - From "Geraftaar" | Bappi Lahiri | D♭ Major | 4 | 3B | 173 BPM | ||
| Jaoon To Kahan Jaoon | Asha Bhosle, R. D. Burman | F Minor | 4 | 4A | 110 BPM | ||
| Aaja Re Pyar Pukare | Lata Mangeshkar | G Major | 5 | 9B | 80 BPM |