Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev Song Details

"Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo)" by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev had its release date on September 14, 2018. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Tchaikovsky: Rococo Variations". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Saint Lucia. Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) by Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 26%
Loudness: -37.26 dB
Acousticness: 97%
Danceability: 8%
Energy: 0%
Instrumentalness: 30%
Liveness: 7%
Loudness: 38%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando	Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner	G Major	1	9B	79 BPM
Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli)	Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa	G Minor	3	6A	116 BPM
Fanfare pour précéder la péri	Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	C Major	2	8B	125 BPM
Variations on a Rococo Theme, Op. 33: Var. 4. Andante grazioso –	Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	66 BPM
Danse Sacrée et Danse Profane, L. 103: I. Danse Sacrée	Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam	D Minor	0	7A	99 BPM
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation III - Andante sostenuto	Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev	D Major	0	10B	95 BPM
Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": IV. Presto	Franz Schubert, Quatuor Arod	D♭ Major	1	3B	149 BPM
Cello Concerto in D Minor: III. Introduction: Andante - Allegro Vivace	Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz	D Major	0	10B	168 BPM
String Quartet No. 1 in A Major: IV. Allegro risoluto	Alexander Borodin, Budapest Haydn Quartet	C Major	1	8B	111 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
Souvenir de Florence, Op. 70: III. Allegretto moderato	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	D♭ Major	1	3B	82 BPM
Symphony No. 3 in F Major, Op. 90: IV. Allegro	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Major	1	8B	79 BPM
Symphony No. 2: III. Adagio	Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra	A Major	0	11B	70 BPM
Symphonie espagnole, Op. 21: I. Allegro non troppo	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	D Minor	1	7A	75 BPM
Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato	Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa	E♭ Major	3	5B	71 BPM
Dvorák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato)	Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra	B Minor	2	10A	97 BPM
Allegro molto in C Minor	Fanny Mendelssohn, Heather Schmidt	D♭ Major	2	3B	79 BPM
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	D Major	0	10B	108 BPM
Symphony No. 2 in B Minor: IV. Finale	Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra	D Major	1	10B	129 BPM
Piano Quintet in C Minor: I. Andante	Alexander Borodin, Ilona Prunyi, New Budapest Quartet	C Minor	1	5A	68 BPM
Scheherazade: Storm at Sea	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	C Major	4	8B	91 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Concerto grosso No. 1: 4. Fugue	Ernest Bloch, Eastman-Rochester Orchestra, Howard Hanson	G Major	3	9B	133 BPM
Symphony No. 2 in B-Flat Major, D.125: II. Andante	Franz Schubert, New York Philharmonic, Alan Gilbert	E♭ Major	0	5B	115 BPM
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante	Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin	E♭ Major	0	5B	81 BPM