"There Will Come Soft Rains" by Rebecca Dale, Sara Teasdale, Tenebrae, Nigel Short, Philharmonia Orchestra had its release date on March 8, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Rebecca Dale: Night Seasons". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. There Will Come Soft Rains is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With There Will Come Soft Rains by Rebecca Dale, Sara Teasdale, Tenebrae, Nigel Short, Philharmonia Orchestra having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| A Child of our Time, Part I: The world turns on its dark side (Chorus) | Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 0 | 9A | 64 BPM | ||
| The Passing of the Year: No. 7, Ring out, wild bells | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | E Minor | 0 | 9A | 73 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Ave Maria, WAB 6 | Anton Bruckner, Tenebrae, Nigel Short | F Major | 0 | 7B | 136 BPM | ||
| Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Good Night Dear Heart | Setra Consort, Dan Forrest | B Major | 0 | 1B | 127 BPM | ||
| Requiem: I. Requiem aeternam I | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Esmé Ellis | D Major | 0 | 10B | 83 BPM | ||
| Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Sacred Place: III. Shema | Alex Berko, Conspirare, Kathlene Ritch, Haitham Haidar, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | D Minor | 1 | 7A | 141 BPM | ||
| Transfigurations: I. Fire Prelude | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| Guide Me, O Thou Great Redeemer | John Hughes, Malcolm Archer, William Williams, Peter Williams, The Choir of Magdalen College, Oxford, Mark Williams | G Major | 1 | 9B | 86 BPM | ||
| Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F Major | 1 | 7B | 72 BPM | ||
| Transfigurations: II. Photon | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| Lamentations Ieremiae Prophetae: Iod III | Alonso Lobo, Tenebrae, Nigel Short | D Major | 2 | 10B | 128 BPM | ||
| There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | C Major | 1 | 8B | 76 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Vexilla regis prodeunt: Vexilla regis prodeunt | Gregorian Chant, Westminster Cathedral Choir, Peter Stevens, Martin Baker | D Major | 1 | 10B | 71 BPM | ||
| Requiem Mass, 1605: Sanctus and Benedictus | Tomás Luis de Victoria, Tenebrae, Nigel Short | D Major | 2 | 10B | 123 BPM | ||
| Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
| Wenn ich einmal soll scheiden, BWV 244 | Johann Sebastian Bach, Tenebrae, Nigel Short | F Major | 0 | 7B | 136 BPM |