"Lamentations Ieremiae Prophetae: Iod III" by Alonso Lobo, Tenebrae, Nigel Short had its release date on March 28, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #30 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Lamentations Ieremiae Prophetae: Iod III's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations Ieremiae Prophetae: Iod III by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lamentations Ieremiae Prophetae: Iod III being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Allegri: Miserere - 01. Miserere mei, Deus | Gregorio Allegri, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 69 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Alleluia Amen: II. amen | David Lang, Trio Mediæval | G Minor | 0 | 6A | 124 BPM | ||
| Regina Caeli Laetare | Musica Reservata de Barcelona, Alonso Lobo | B Major | 1 | 1B | 80 BPM | ||
| In Thy Kingdom (from the Liturgy) | Kiev Chamber Choir | E♭ Major | 1 | 5B | 64 BPM | ||
| Holy Spirit Mass: Creator Spirit | Kim André Arnesen, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Major | 0 | 7B | 64 BPM | ||
| Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
| Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM | ||
| Allegri (Roberts): Miserere (Omitting Verses 7-18) | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 1 | 6A | 67 BPM | ||
| Versa est in luctum | Alonso Lobo, Stile Antico | F♯ Minor | 1 | 11A | 125 BPM | ||
| Media vita in morte sumus | Nicolas Gombert, Oxford Camerata, Jeremy Summerly | D Major | 1 | 10B | 87 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 89 BPM | ||
| Beata Viscera II (Arr. Paul Smith / Apollo5) | Pérotin, Apollo5 | G Major | 2 | 9B | 137 BPM | ||
| 4 Songs of Love: No. 1, Let Him Kiss Me | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | E Minor | 1 | 9A | 68 BPM | ||
| Versa est in Luctum | Alonso Lobo, Graham Ross, The Bevan Family Consort | G Minor | 2 | 6A | 141 BPM | ||
| Josquin: Missa Gaudeamus - 05. Qui Tollis Peccata Mundi, Miserere | The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 83 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Requiem Mass, 1605: Lesson: Taedet anima mea | Tomás Luis de Victoria, Tenebrae, Nigel Short | B Minor | 1 | 10A | 133 BPM | ||
| Pange lingua, WAB 33 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 132 BPM | ||
| Justorum animae | Orlande de Lassus, The Monteverdi Choir, John Eliot Gardiner | A Major | 1 | 11B | 80 BPM | ||
| Lamentations Ieremiae Prophetae: Iod III | Alonso Lobo, Tenebrae, Nigel Short | D Major | 2 | 10B | 128 BPM | ||
| The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM |