Donald Rubinstein's ' "Fingers" was released on its scheduled release date, April 18, 1999. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Fingers's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Time Again .". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Fingers is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Fingers by Donald Rubinstein having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sabbat Schwarzer Highway | Bohren & Der Club Of Gore | B Minor | 1 | 10A | 78 BPM | ||
| Four Ride Out | Jeff Herriott, S.Craig Zahler | D Minor | 1 | 7A | 162 BPM | ||
| Lost Train Jesus | Donald Rubinstein | A Minor | 1 | 8A | 100 BPM | ||
| The Invasion Of Poland | John Lurie | D♭ Minor | 1 | 12A | 123 BPM | ||
| Forest of Broken Hymns | Donald Rubinstein | C Major | 2 | 8B | 71 BPM | ||
| Don't Smoke in Bed | Harry Manfredini | F♯ Major | 3 | 2B | 77 BPM | ||
| Dark Space Low | Angelo Badalamenti | E Minor | 1 | 9A | 134 BPM | ||
| They're Creeping up on You | John Harrison | A Minor | 3 | 8A | 75 BPM | ||
| The Calling/Main Title | Donald Rubinstein | G Major | 2 | 9B | 147 BPM | ||
| The Discovery | John Frizzell | A♭ Major | 2 | 4B | 81 BPM | ||
| Jail Cell | Charles Bernstein | D Minor | 3 | 7A | 98 BPM | ||
| Alien 3: Lento - From "Alien 3" | Elliot Goldenthal, Cliff Eidelman, Royal Scottish National Orchestra | A Major | 0 | 11B | 45 BPM | ||
| The Twins | Harold Budd | B♭ Minor | 1 | 3A | 64 BPM | ||
| Madame Arcati | Jacques Lasry | G Minor | 1 | 6A | 102 BPM | ||
| The Tall Man on Main Street | Fred Myrow, Malcolm Seagrave | C Major | 2 | 8B | 99 BPM | ||
| Tenebrous | Marcus Fjellström | A♭ Major | 5 | 4B | 64 BPM | ||
| Lullaby From Rosemary's Baby, Part 1 | Krzysztof Komeda, Mia Farrow | E♭ Major | 2 | 5B | 116 BPM | ||
| The Equestrian Vortex | Broadcast | A Minor | 5 | 8A | 89 BPM | ||
| Utrenja, Pt. II, "the Resurrection of Christ": V. Passover Canon, Song 8 | Krzysztof Penderecki, Iwona Hossa, Agnieszka Rehlis, Piotr Kusiewicz, Piotr Nowacki, Gennady Bezzubenkov, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | B♭ Major | 5 | 6B | 94 BPM | ||
| THE 9TH CENTURY B.C XVII | PROVISIONEDBEATS | D♭ Major | 2 | 3B | 137 BPM | ||
| The True History of Earth | Graham Plowman | F Major | 2 | 7B | 75 BPM | ||
| The Book of Evil | Joseph Loduca | E♭ Minor | 3 | 2A | 119 BPM | ||
| Alma | Simon Boswell | F Minor | 5 | 4A | 170 BPM | ||
| Fog Tropes | Ingram Marshall | B♭ Major | 1 | 6B | 84 BPM | ||
| Harang, Pt. 1 - From "Sátántangó" | Víg Mihály | F♯ Major | 1 | 2B | 93 BPM |