"Rapsodie espagnole, M. 54a (Version for 2 Pianos): II. Malagueña" by Maurice Ravel, Vladimir Ashkenazy, Vovka Ashkenazy had its release date on January 1, 2009. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Rapsodie espagnole, M. 54a (Version for 2 Pianos): II. Malagueña's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 11 in Ashkenazy Duets by Vladimir Ashkenazy, Vovka Ashkenazy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rapsodie espagnole, M. 54a (Version for 2 Pianos): II. Malagueña is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rapsodie espagnole, M. 54a (Version for 2 Pianos): II. Malagueña by Maurice Ravel, Vladimir Ashkenazy, Vovka Ashkenazy is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Miroirs, M. 43: III. Une barque sur l'océan | Maurice Ravel, Pascal Rogé | F♯ Minor | 1 | 11A | 100 BPM | ||
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
| 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
| Le tombeau de Couperin: 3. Menuet (version for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | A Major | 1 | 11B | 107 BPM | ||
| Nocturnes n°8 en sol majeur pour servir de coda au cycle | Francis Poulenc, Alexandre Tharaud | G Major | 0 | 9B | 73 BPM | ||
| Pavane for Dead Princess | Maurice Ravel, David Robertson, Orchestre National De Lyon, Irina Mejoueva | G Major | 1 | 9B | 77 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Rêverie, L. 68 | Claude Debussy, François-Joël Thiollier | F Major | 0 | 7B | 69 BPM | ||
| Je te veux | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 103 BPM | ||
| The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 72 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | D♭ Major | 0 | 3B | 79 BPM | ||
| 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | C Major | 3 | 8B | 71 BPM | ||
| 6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
| Ravel: Menuet sur le nom de Haydn, M. 58 | Maurice Ravel, Bertrand Chamayou | G Major | 0 | 9B | 122 BPM | ||
| Introduction And Allegro For Harp, String Quartet, Flute And Clarinet | Maurice Ravel, Nash Ensemble, Skaila Kanga, Philippa Davies, Michael Collins | E♭ Minor | 1 | 2A | 70 BPM | ||
| Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
| Ravel: Sonatine, M. 40: II. Mouvement de menuet | Maurice Ravel, Alain Lefèvre | D♭ Major | 0 | 3B | 70 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |