S. P. Balasubrahmanyam's ' "Thika Maka" was released on its scheduled release date, July 24, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Sri Anjaneyam". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Based on our statistics, Thika Maka's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Thika Maka by S. P. Balasubrahmanyam having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Andaala Bommaro | Venu, Sumangaly | F Minor | 9 | 4A | 103 BPM | ||
| Thirumalavasa | Sumangaly | D Major | 8 | 10B | 146 BPM | ||
| Pelli Pata ( Bit )-1 | Partha Sarathy, Murali | A Minor | 9 | 8A | 130 BPM | ||
| Yedu Malleu Ettu Sukumari Ki | Madhavapeddi Sathyam, Krishnam raju, Praveen | C Major | 5 | 8B | 95 BPM | ||
| Nee Navve Chaalu | S. P. Balasubrahmanyam, Chitra, Raj-Koti, Bhuvana Chandra, Vaddepalli Krishna | D Major | 4 | 10B | 93 BPM | ||
| Sri Ganga | Hemachandra Vedala, Srivardhani Kuchi | D Major | 7 | 10B | 106 BPM | ||
| Khadgam | S. P. Balasubrahmanyam | F Major | 5 | 7B | 110 BPM | ||
| Evaraki Evarayya | Karunya | A Minor | 7 | 8A | 156 BPM | ||
| Priya | Srinivas | F Minor | 7 | 4A | 122 BPM | ||
| Kaamini Yamini | Koti, S. P. Balasubrahmanyam, K. S. Chithra, Veturi Sundararama Murthy | B Minor | 9 | 10A | 102 BPM | ||
| Padharu Kalalaku | J.K. Bharavi, Mano | F Minor | 5 | 4A | 138 BPM | ||
| Bangaram | Chakri, Revathi | A♭ Major | 9 | 4B | 140 BPM | ||
| Paduchu Bangarama | Mallikarjun, Sumangaly | F Minor | 7 | 4A | 88 BPM | ||
| Kaliyuga Vaikuntapuri | S. P. Balasubrahmanyam, Srinidhi, Ramya Behara, M. M. Keeravaani, Vedavyasa | E♭ Major | 6 | 5B | 162 BPM | ||
| Gokula Krishna | S. P. Balasubrahmanyam, Chitra, Koti, Sirivennela Seetharama Sastry | F Minor | 7 | 4A | 95 BPM | ||
| Adugadugo Vasthunadu | Telangana Shakuntala | C Major | 9 | 8B | 115 BPM | ||
| Abhi Vandanam Yama Rajagrani | S.V.Krishna Reddy, S. P. Balasubrahmanyam, K. S. Chithra | E Minor | 5 | 9A | 115 BPM | ||
| Shivashtakam | Ramu | B Minor | 6 | 10A | 114 BPM | ||
| Thika Maka | S. P. Balasubrahmanyam | B Minor | 4 | 10A | 140 BPM | ||
| Naa Peru Cheppukondi | Sunitha | B Minor | 7 | 10A | 90 BPM | ||
| Go Go Rye Rye | Chakri, Vamsi | D Minor | 7 | 7A | 90 BPM | ||
| Tirumala Thirupathi | Mano | F♯ Major | 6 | 2B | 158 BPM | ||
| Yentha Nerchina | S. P. Balasubrahmanyam, P. Susheela | G Major | 5 | 9B | 97 BPM | ||
| Sri Anjaneyam | M.L.R. Karthikeyan, Jr. NTR | C Major | 10 | 8B | 120 BPM | ||
| Hylessa | M. M. Keeravaani, Devi Sri Prasad, Malavika | F Major | 6 | 7B | 155 BPM |