"Allemande" by Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Pau Marcos Vicens, Gabriel Rignol, Julien Wolfs had its release date on June 21, 2024. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 45 in Forqueray: Intégrale des pièces de violes by Antoine Forqueray, Myriam Rignol. In terms of popularity, Allemande is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Allemande by Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Pau Marcos Vicens, Gabriel Rignol, Julien Wolfs is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata Da Chiesa No. 1 in D Major, Op. 5: IV. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | B♭ Minor | 1 | 3A | 85 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Branle | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Pau Marcos Vicens, Gabriel Rignol, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Sonates pour le violoncelle avec la basse continue, livre II, sonate No. 2: I. Adagio | Jean Barrière, Bruno Cocset, Les Basses Réunies, Guido Balestracci | F Minor | 1 | 4A | 73 BPM | ||
| Suite No. 2 in G Major: V. Chaconne. La buisson | Antoine Forqueray, José Miguel Moreno | B♭ Major | 1 | 6B | 117 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Ouverture in G Major: II. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 2 | 7B | 75 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Les Goûts-réünis - Concert No.14 in D minor: 2. Allemande | François Couperin, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 102 BPM | ||
| Timon of Athen, Z. 632: Curtain Tune | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | F♯ Minor | 3 | 11A | 122 BPM | ||
| Musette | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Pau Marcos Vicens, Gabriel Rignol | F♯ Major | 0 | 2B | 102 BPM | ||
| Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 3 | 12B | 117 BPM | ||
| La Girouette | Antoine Forqueray, Lucile Boulanger, Myriam Rignol, Mathilde Vialle, Julien Wolfs | F♯ Major | 0 | 2B | 102 BPM | ||
| Trio sonata in B-Flat Major, Wq. 161/2: I. Allegro | Carl Philipp Emanuel Bach, Café Zimmermann | D♭ Minor | 3 | 12A | 106 BPM | ||
| Mystery Sonata No. 11 "The Resurrection": II. Surrexit Christus Hodie | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | F♯ Major | 1 | 2B | 135 BPM | ||
| Naïs - Sarabande | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | A♭ Major | 1 | 4B | 96 BPM | ||
| Première Suite: Sarabande grave | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 1 | 7B | 94 BPM | ||
| Sonate in A Minor: I. Preludio | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Minor | 4 | 1A | 134 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VIII. Sarabande | Dietrich Becker, La Rêveuse, Benjamin Perrot, Florence Bolton, Sébastien Wonner | D♭ Major | 0 | 3B | 108 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: III. Largo | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 84 BPM | ||
| Salmi concertati, Op. 1: No. 18, Canzon seconda à 3 | Giovanni Rovetta, Ecco la musica | D Minor | 1 | 7A | 77 BPM | ||
| La Cottin (Galamment sans lenteur) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | G Minor | 6 | 6A | 134 BPM | ||
| Suite pour trois violes: I. Allemande - Transcribed for Solo Harpsichord | Antoine Forqueray, Justin Taylor | B Minor | 4 | 10A | 100 BPM |