T. S. Aswini Sastry, T. S. Rohini Sastry's 'Budhagraha Moolamandhram' had a release date set for November 1, 2010. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Budhagraha Moolamandhram's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Navagraha Sthothras". In this album, this song's track order is #36. Furthermore, we believe that the track originated from India. Budhagraha Moolamandhram is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Budhagraha Moolamandhram by T. S. Aswini Sastry, T. S. Rohini Sastry having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suprabhata | Bangalore Sisters, Sujatha | A♭ Major | 4 | 4B | 81 BPM | ||
| Aparadha Kshamapana Stotra | Jaishree Aravind, K.S. Surekha | B♭ Major | 3 | 6B | 146 BPM | ||
| Adithya kavasam | T. S. Aswini Sastry, T. S. Rohini Sastry | G Major | 3 | 9B | 81 BPM | ||
| Maha Mrutyunjaya Stotram | Malola Kannan, J Bhakthavatsalam | C Major | 4 | 8B | 174 BPM | ||
| Sri Navagraha Stotram | Vidyabhushana | E♭ Minor | 3 | 2A | 104 BPM | ||
| Surya Suktam | Prasath Sai, Prakash Kumar | B♭ Major | 5 | 6B | 87 BPM | ||
| Dakshinamurthy Gayathri Mantra | Shankara Sastry | C Major | 4 | 8B | 112 BPM | ||
| Mangalam Jaya | Gayathri Girish, Team | F♯ Major | 4 | 2B | 105 BPM | ||
| Keelaka Stotram | J. Bhaktavatsalam, Ganesan, Na | C Major | 4 | 8B | 136 BPM | ||
| Narayan Kavacham Mahatva | Bhagwat Acharya Shri Venu Gopal Swamiji | D Major | 1 | 10B | 97 BPM | ||
| Kanvizhi Kanvizhi | Trivendram Sisters | A Minor | 7 | 8A | 84 BPM | ||
| Gam Ganapathi | RG Sarathee, Guna Sundeep, Sravya Attili, Dr. Radhagopee | E Major | 5 | 12B | 100 BPM | ||
| Rudram | Hari Achuta Rama Sastry | E Minor | 3 | 9A | 96 BPM | ||
| Purusakutham | Malola Kannan, Govindarajan | D♭ Major | 6 | 3B | 133 BPM | ||
| Deham | Grihsam | E♭ Minor | 1 | 2A | 80 BPM | ||
| Bhagavad Gita - Dhyanaslokas | Swami Paramarthananda | G Major | 4 | 9B | 149 BPM | ||
| Sri Subramanya Swami Karavalambam | Randhnini Roshini | D Major | 3 | 10B | 180 BPM | ||
| Sri Batuka Bhairava Kavacham | Bhandhavi | A♭ Major | 3 | 4B | 92 BPM | ||
| Shiva Sankalpa | Sri Hari Atchutha Rama Sastry | B Major | 5 | 1B | 112 BPM | ||
| Hatkeshwar Stuti | Abhay Anjariya, Dhara Mankad, Shailesh Pandya | D♭ Major | 5 | 3B | 100 BPM | ||
| Nava Kavasam | Bhavadhaarini Anantaraman | G Major | 3 | 9B | 139 BPM | ||
| Guru Stothram | Sri Hari Atchutha Rama Sastry | C Major | 3 | 8B | 106 BPM | ||
| Shri Gananayaka Ashtakam | Inner Splendor, Vallari Ambekar, Vedika Godbole | F♯ Major | 3 | 2B | 148 BPM | ||
| Deen Bandu Kripa Sindhu | Bhagwat Acharya Shri Venu Gopal Swamiji | D♭ Major | 1 | 3B | 135 BPM | ||
| Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers | Ved Vrind | C Major | 4 | 8B | 175 BPM |