"Collage for Polly" by Joe Farrell had its release date on 1970. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Collage for Polly's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joe Farrell's "Joe Farrell Quartet" album is number 2 out of 7. Based on our statistics, Collage for Polly's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Collage for Polly by Joe Farrell to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Here And Now | The Headhunters | B♭ Minor | 6 | 3A | 141 BPM | ||
| Summer Rain | Ian Carr | F Major | 4 | 7B | 158 BPM | ||
| Circle in the Square | Joe Farrell | E Minor | 4 | 9A | 110 BPM | ||
| Cortejo dos Reis Negros - Version 2 | Grupo Um | G Major | 7 | 9B | 134 BPM | ||
| Where I’m Coming From | Leon Spencer | G Major | 4 | 9B | 157 BPM | ||
| I Won't Be Back | Joe Farrell | D Minor | 9 | 7A | 145 BPM | ||
| Crap Apple | Idris Muhammad | B♭ Major | 7 | 6B | 97 BPM | ||
| Swing Thing | Gary Bartz | D Minor | 9 | 7A | 121 BPM | ||
| The Way It Used to Be | Pacific Express, Paul Abrahams, Chris Schilder, Vic Higgins | G Major | 9 | 9B | 120 BPM | ||
| Mother Nature | Gary Bartz | C Major | 8 | 8B | 109 BPM | ||
| Good Evening Mr. & Mrs. America & All The Ships | Tom Scott And The L.A. Express | G Major | 9 | 9B | 107 BPM | ||
| Don't Cha Hear Me Callin' to Ya | Junior Mance | D Minor | 7 | 7A | 101 BPM | ||
| Amsterdam After Dark | George Coleman, Sam Jones, Billy Higgins, Hilton Ruiz | D♭ Major | 4 | 3B | 135 BPM | ||
| Blue Juice | Jimmy McGriff | C Major | 6 | 8B | 93 BPM | ||
| Pretty Eyes - Rudy Van Gelder Edition / 2003 Remastered | Horace Silver Quintet | A♭ Minor | 5 | 1A | 156 BPM | ||
| Greeze | Charles Kynard | G Major | 6 | 9B | 142 BPM | ||
| Rosewood | Woody Shaw | B♭ Minor | 5 | 3A | 81 BPM | ||
| Afro-Disiac | Charles Kynard | B♭ Major | 5 | 6B | 147 BPM | ||
| Jupiter | The Awakening | A Minor | 5 | 8A | 152 BPM | ||
| Momma | Ronnie Laws | B Minor | 9 | 10A | 126 BPM | ||
| Stu | Chico Hamilton | G Minor | 4 | 6A | 124 BPM | ||
| Family Joy, Oh Boy !, Pt. 1 | Michael Gibbs | A♭ Major | 5 | 4B | 91 BPM | ||
| Dark Shadow | Eddie Henderson | D♭ Minor | 5 | 12A | 102 BPM | ||
| Tuesday Heartbreak | Ronnie Foster | F Minor | 7 | 4A | 154 BPM | ||
| Caliban | Ian Carr, Nucleus | F Major | 5 | 7B | 143 BPM |