Across the Atlantic's ' "That's Where They Getcha" was released on its scheduled release date, May 5, 2015. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Across the Atlantic's "Holding on to What We Know" album is number 11 out of 11. On top of that, Turks and Caicos Islands appears to be the country where this track was created. The popularity of That's Where They Getcha is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of That's Where They Getcha by Across the Atlantic to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Letters | All Faces Down | A♭ Major | 10 | 4B | 148 BPM | ||
| Small Time Crooks | Brigades | F♯ Major | 10 | 2B | 128 BPM | ||
| Half Life | Whether, I | B Minor | 9 | 10A | 125 BPM | ||
| Pop Punk Kid | Stevie T, Brian Storm | A♭ Minor | 9 | 1A | 188 BPM | ||
| Closer | Live for Tomorrow | F Minor | 8 | 4A | 95 BPM | ||
| Glow | Across the Atlantic | F♯ Major | 10 | 2B | 133 BPM | ||
| Not a Chance in Halifax | We Were Sharks | C Major | 10 | 8B | 185 BPM | ||
| Take My Hand | Divided Minds | B♭ Major | 9 | 6B | 94 BPM | ||
| My Reason to Come Back Home 2: Electric Boogaloo | Settle Your Scores | A♭ Major | 9 | 4B | 91 BPM | ||
| Never Be a Memory | Awake At Last | B♭ Minor | 9 | 3A | 167 BPM | ||
| Tell Dan K I'm Looking for Him | Storm the Bay | D♭ Major | 10 | 3B | 93 BPM | ||
| Hang Your Head | Life Lessons | A♭ Major | 10 | 4B | 185 BPM | ||
| A Thousand Miles | Dream on Dreamer | B Major | 10 | 1B | 95 BPM | ||
| Open Roads, Dead Ends | Across the Atlantic | C Major | 10 | 8B | 155 BPM | ||
| Anymore | Send Request | C Major | 10 | 8B | 135 BPM | ||
| Rap Game Tom Hanks | Hopes on Hold | D♭ Major | 9 | 3B | 115 BPM | ||
| Take Back | FigureItOut | F Minor | 10 | 4A | 105 BPM | ||
| Everything I Know | Actual Villains | E Minor | 9 | 9A | 150 BPM | ||
| Dying Light | Everyone Dies In Utah | F Minor | 9 | 4A | 135 BPM | ||
| Sink Or Swim | Close to Home | D Major | 7 | 10B | 140 BPM | ||
| Resound | Cold Black | B♭ Minor | 9 | 3A | 147 BPM | ||
| Pillbox Hill | Big Smile | D♭ Minor | 9 | 12A | 186 BPM | ||
| Why 6 Is Afraid of 7 | Before Their Eyes | D♭ Minor | 9 | 12A | 90 BPM | ||
| Bad Habit | Carousel Kings | D Major | 10 | 10B | 140 BPM | ||
| Main Attraction | Sincerely, Me | D♭ Major | 9 | 3B | 136 BPM |