- BPM
- 79
- Key
- G Major
- Camelot
- 9B
The Soldier's Tale (Excerpts): The Great Chorale by Igor Stravinsky, Leonard Bernstein Song Details
"The Soldier's Tale (Excerpts): The Great Chorale" by Igor Stravinsky, Leonard Bernstein had its release date on 1947. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Soldier's Tale (Excerpts): The Great Chorale's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Soldier's Tale (Excerpts): The Great Chorale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of The Soldier's Tale (Excerpts): The Great Chorale by Igor Stravinsky, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.599 dB
- Acousticness
- 99%
- Danceability
- 14%
- Energy
- 4%
- Instrumentalness
- 91%
- Liveness
- 30%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | |
 | Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | |
 | Capriccio Espagnol: Fandango asturiano | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim | A Major | 4 | 11B | 68 BPM | |
 | Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 90 BPM | |
 | Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | E Minor | 1 | 9A | 80 BPM | |
 | Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | |
| Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 127 BPM | |
 | La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | |
 | Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | |
 | Pini di Roma, P. 141: II. Pini presso una catacomba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F Minor | 0 | 4A | 93 BPM | |
 | Symphony No. 1, Op. 9: I. Allegro ma non troppo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | D♭ Major | 0 | 3B | 106 BPM | |
 | Enigma Variations, Op. 36: Var. 14. Finale. Allegro "E.D.U." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | |
 | 4 Orchestral Pieces, Sz. 51: I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | |
 | Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | |
 | The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | |
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d) | Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | |
 | Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | |
 | Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | |
| Pomp and Circumstance March No. 2 in A Minor, Op. 39/2 | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | |
 | Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | |
 | Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | |
 | Petrushka: The Shrove-Tide Fair | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM |
- ISRC
- USSM11705718
- Label
- L-M Records/RCA Records