"Francesca da Rimini, Act II: Paolo! Paolo! (Francesca)" by Riccardo Zandonai, Maria Caniglia, Orchestra Sinfonica Nazionale della RAI di Roma, Antonio Guarnieri had its release date on August 5, 2014. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Francesca da Rimini, Act II: Paolo! Paolo! (Francesca)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Antonio Guarnieri, Maria Caniglia, Orchestra Sinfonica Nazionale della RAI di Roma, Giacinto Prandelli, Carlo Tagliabue, Mario Carlin, Ornella Rovero, Mario Tommasini. The song's track number on the album is #11 out of 24 tracks. Based on our data, Italy was the country where this track was produced or recorded. Francesca da Rimini, Act II: Paolo! Paolo! (Francesca) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act II: Paolo! Paolo! (Francesca) by Riccardo Zandonai, Maria Caniglia, Orchestra Sinfonica Nazionale della RAI di Roma, Antonio Guarnieri has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Act II: Paolo! Paolo! (Francesca) being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Lucia di Lammermoor / Act 3: "Ah! cessate quel contento" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 1 | 9B | 84 BPM | ||
| Gounod: Faust, Act 5: "Doux nectar dans ton ivresse" (Chœur, Mephistophélès, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Macbeth / Act III: Finché appeli | Giuseppe Verdi, Maria Fausta Gallamini, Piero Cappuccilli, Alfredo Giacomotti, Massimo Bortolotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | G Major | 1 | 9B | 75 BPM | ||
| Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Major | 10 | 12B | 134 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Giulietta e Romeo, Act I: Ehi! Capuleti! Capuleti! Qua! (Tebaldo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi | G Major | 2 | 9B | 80 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
| Francesca da Rimini / Act 3: "Paolo, datemi pace!" | Riccardo Zandonai, Mirella Freni, Orchestra Del Gran Teatro La Fenice, Roberto Abbado | D♭ Major | 1 | 3B | 86 BPM | ||
| Bellini: I puritani: "Sai com’arde in petto mio" (Elvira, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Francesca da Rimini, Op. 4, Act II, Scene 8: O sciagura! sciagura! (Francesca, Gianciotto, Malatestino, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Philippe Roillon, Kenneth Riegel, Kammerchor Sofia | D Major | 1 | 10B | 74 BPM | ||
| Francesca da Rimini, Op. 4, Act II, Scene 2: Paolo! Francesca! - Date il segno (Francesca, Paolo, Il Torregiano, Il Balestriere, Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt, Cheyne Davidson, Alexander Kravets, Kammerchor Sofia | B♭ Minor | 2 | 3A | 96 BPM | ||
| Simon Boccanegra: Prologo: Suona ogni labbro il mio nome (Simone, Fiesco) | Giuseppe Verdi, Ludovic Tezier, Michele Pertusi, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | F Major | 0 | 7B | 86 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "Regardez donc cette petite qui semble vouloir nous parler" (Moralès, Micaëla, Chœur) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Chor der Deutschen Staatsoper Berlin, Genia Kühmeier, Berliner Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | ||
| Un ballo in maschera / Act 1: "Che v'agita cosi?" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Francesca da Rimini, Act IV: O Biancofiore, piccola tu sei! (Live) | Riccardo Zandonai, Leyla Gencer, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Silvana Alessio Martinelli, Franco Capuana | D♭ Minor | 2 | 12A | 176 BPM | ||
| La Jolie Fille De Perth - Opéra En 4 Actes. Livret De Vernoy De Saint-Georges Et Adenis D'après Walter Scott. Version Originale Reconstituée Par David Lloyd Jones - Acte II - N°10 - Chanson À Boire : Tout Boit, Amis, Dans Ce Monde (Duc, Cho | Georges Bizet, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | D Minor | 3 | 7A | 62 BPM | ||
| Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Lucrezia Borgia / Act 1: Maffio Orsini, signora, son io | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Piero de Palma, Graham Clark, Lieuwe Visser, Giacomo Aragall, National Philharmonic Orchestra, Richard Bonynge | F Minor | 4 | 4A | 103 BPM |