- BPM
- 86
- Key
- D♭ Major
- Camelot
- 3B
Francesca da Rimini / Act 3: "Paolo, datemi pace!" by Riccardo Zandonai, Mirella Freni, Orchestra Del Gran Teatro La Fenice, Roberto Abbado Song Details
"Francesca da Rimini / Act 3: "Paolo, datemi pace!"" by Riccardo Zandonai, Mirella Freni, Orchestra Del Gran Teatro La Fenice, Roberto Abbado had its release date on August 19, 1992. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Francesca da Rimini / Act 3: "Paolo, datemi pace!"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verismo Arias by Mirella Freni, Orchestra Del Gran Teatro La Fenice, Roberto Abbado. The song's track number on the album is #11 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Francesca da Rimini / Act 3: "Paolo, datemi pace!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Francesca da Rimini / Act 3: "Paolo, datemi pace!" by Riccardo Zandonai, Mirella Freni, Orchestra Del Gran Teatro La Fenice, Roberto Abbado has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini / Act 3: "Paolo, datemi pace!" being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.28 dB
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 7%
- Instrumentalness
- 2%
- Liveness
- 9%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Puccini : Turandot : Act 3 "Tu che di gel sei cinta" [Liù] | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | B♭ Minor | 2 | 3A | 118 BPM | |
 | Bellini: I puritani: "Oh, vieni al tempio, fedele Arturo" (Elvira, Bruno, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Turandot / Act 1: La grazia, Principessa! - O divina bellezza (Coro / Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 82 BPM | |
 | Notti d'agosto, RZ 96 | Riccardo Zandonai, Margherita Guarino, Stefano Guarino | B♭ Major | 1 | 6B | 125 BPM | |
 | Wagner: Lohengrin, Act 1: "Einsam in trüben Tagen" (Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow | D♭ Minor | 1 | 12A | 138 BPM | |
 | Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici … Sciarrone, che dice il Cavalier?" (Scarpia, Tosca, Sciarrone, Voce di Cavaradossi) | Giacomo Puccini, Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | |
 | Tosca, Act I: Eccellenza, vado? – Gente là dentro! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Giorgi Manoshvili, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Francesca da Rimini, Op. 4, Act I, Scene 14: Per la terra di maggio (Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Volksoper Wien | D Major | 0 | 10B | 71 BPM | |
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
| Tosca, Act II: Tosca è un buon falco! | Giacomo Puccini, Ludovic Tezier, Nicolò Ceriani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | |
 | Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | |
 | Simon Boccanegra: Prologo: Suona ogni labbro il mio nome (Simone, Fiesco) | Giuseppe Verdi, Ludovic Tezier, Michele Pertusi, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | D♭ Minor | 1 | 12A | 138 BPM | |
| String Quartet in G Major, RZ 210: I. Allegro moderato | Riccardo Zandonai, Orchestra da Camera di Trento | B♭ Major | 1 | 6B | 125 BPM | |
 | Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | |
 | Falla: La vida breve, Act I: "Vivan los que rien!" (Salud, Paco, Chorus) | Manuel de Falla, Marianne Crebassa, Choeur Du Capitole De Toulouse, Stanislas de Barbeyrac, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Minor | 2 | 8A | 189 BPM | |
 | Mozart: Così fan tutte, K. 588, Act II, Scene 4: No. 21, Duetto con coro. "Secondate, aurette amiche" (Ferrando, Guglielmo, Chorus) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, The Philharmonia Chorus, Karl Böhm, Philharmonia Orchestra | D Minor | 0 | 7A | 130 BPM | |
 | Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | |
 | Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM | |
| Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM | |
 | Francesca da Rimini, Act I: Per la terra di maggio (Chorus) | Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Coro di Roma della RAI, Antonio Guarnieri | D Major | 1 | 10B | 134 BPM | |
 | Andrea Chénier / Act 1: Soffoco, moro tutta chiusa | Umberto Giordano, Hugues Cuénod, Montserrat Caballé, Kathleen Kuhlmann, Astrid Varnay, Florindo Andreolli, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 110 BPM | |
 | Cavalleria rusticana: Pt. I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | |
 | Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 1 | 12A | 138 BPM |
- ISRC
- GBF079044211
- Label
- L-M Records/RCA Records