"Returning Flower" by 임태규, Jisoo Sohn had its release date on December 27, 2022. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Remembering That Time". In this album, this song's track order is #2. Furthermore, we believe that the track originated from South Korea. Returning Flower is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Returning Flower by 임태규, Jisoo Sohn having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | E Minor | 1 | 9A | 83 BPM | ||
| Il mio bel foco; Quella fiamma | Benedetto Marcello, Ramón Vargas | A Minor | 2 | 8A | 106 BPM | ||
| Stabat mater: IV. Lament | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | C Major | 1 | 8B | 170 BPM | ||
| Art is Calling for Me | Molly Watson | E♭ Major | 1 | 5B | 108 BPM | ||
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
| You are Music | Jeon Dong Suk, Kim So Hyun | F♯ Major | 0 | 2B | 105 BPM | ||
| Korngold: 6 Einfache Lieder, Op. 9: No. 1, Schneeglöckchen | Erich Wolfgang Korngold, Barbara Hendricks, Franz Welser-Möst, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 66 BPM | ||
| Les feuilles mortes (Arr. Leuenberger for Tenor and Piano) | Joseph Kosma, Benjamin Bernheim, Carrie-Ann Matheson | F♯ Minor | 0 | 11A | 69 BPM | ||
| Borodin: The Sleeping Princess | Alexander Borodin, Galina Vishnevskaya, Mstislav Rostropovich | A Major | 0 | 11B | 66 BPM | ||
| My Fair Lady: I Could Have Danced All Night (Piano Reduction) - Live at Metropolitan Opera, New York, 2023 | Frederick Loewe, Lise Davidsen, James Baillieu | E Minor | 1 | 9A | 83 BPM | ||
| Mendelssohn: 6 Songs, Op. 34: No. 2, Auf Flügeln des Gesanges, MWV K86 | Felix Mendelssohn, Barbara Bonney, Geoffrey Parsons | G Major | 2 | 9B | 87 BPM | ||
| Flow My Tears | John Dowland, Elin Manahan Thomas, David Miller, Harry Christophers | A♭ Minor | 0 | 1A | 63 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| 'O marenariello | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | D Major | 2 | 10B | 139 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| All the way home - Upper Voices | Sarah Quartel, Commotio Chamber Choir, Griselda Sherlaw-Johnson | E Major | 0 | 12B | 85 BPM | ||
| Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Night of Rainbows | VOCO Singapore Ladies Choir, Darius Lim | E Major | 1 | 12B | 79 BPM | ||
| Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
| Abide with Me (Orch, by John Langley) | William Henry Monk, Malakai Bayoh | E♭ Major | 2 | 5B | 84 BPM | ||
| Le nozze die Figaro, K. 492, Act IV: Giunse alfin il momento... Deh vieni non tardar (Susanna) | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | G Major | 0 | 9B | 95 BPM |