Jean-Paul-Égide Martini, André Rieu, Mirusia's 'Plaisir D'Amour' had a release date set for January 1, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 14 in Andre Rieu Presents Mirusia: Always & Forever by André Rieu. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Plaisir D'Amour is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Plaisir D'Amour by Jean-Paul-Égide Martini, André Rieu, Mirusia is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
| Requiem pour Louis XVI: IX. Elevatione | Jean-Paul-Égide Martini, Le Concert Spirituel, Herve Niquet, Andreas Wolf | F Minor | 1 | 4A | 76 BPM | ||
| La Fille du Régiment, Act I, Scene 11: Air de Marie "Il faut partir" (Arr. for Piano & Viola) | Gaetano Donizetti, Antoine Tamestit, Cédric Tiberghien | F Minor | 0 | 4A | 76 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| String Quartet in F Major, Op. 3, No. 5, Hob. III:17, "Serenade": II. Andante cantabile (arr. L. Stokowski for orchestra) [Attrib. To Hoffstetter] | Joseph Haydn, Bournemouth Symphony Orchestra, José Serebrier | E Minor | 2 | 9A | 66 BPM | ||
| Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 1 | 2B | 87 BPM | ||
| Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
| Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
| Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 105 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
| Dank Sei Dir Herr | Aafje Heynis, Netherlands Chamber Choir | A Major | 1 | 11B | 89 BPM | ||
| Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
| Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
| Emperor Waltz Op. 437 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 186 BPM | ||
| Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
| Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
| Toselli-Serenade | C. F. Orchester Richards | E Major | 3 | 12B | 82 BPM | ||
| Ave verum, K. 618 | Wolfgang Amadeus Mozart, La Maîtrise de Paris, Budapest Orfeo Orchestra, Patrice Marco, Gyorgy Vashegyi, Noemi Rime, Christine Batty, Stuart Patterson, Bernard Deletré | A Minor | 0 | 8A | 172 BPM | ||
| Sull' Aria | Wolfgang Amadeus Mozart, Izzy, Ernö Olah, National Radio Orchestra of The Netherlands | A♭ Major | 2 | 4B | 112 BPM | ||
| Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
| 愛のよろこびは | Jean-Paul-Égide Martini, Daichi Fujiki | E♭ Major | 1 | 5B | 78 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Sonata for Strings No. 3 in C Major: III. Moderato | Gioachino Rossini, Andras Kiss, Budapest Rossini Ensemble | C Major | 1 | 8B | 137 BPM |