Camillo Bargoni, Dean Martin's 'Autumn Concerto (My Heart Reminds Me)' had a release date set for August 7, 2015. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Autumn Concerto (My Heart Reminds Me)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dean Martin's "Musical Moments to Remember – Dean Martin, Vol. 3: An Italian Songbook & All American Classics (Remastered 2015)" album is number 9 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Autumn Concerto (My Heart Reminds Me) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Autumn Concerto (My Heart Reminds Me) by Camillo Bargoni, Dean Martin to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Canzone appassiunata | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | A Major | 5 | 11B | 144 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
| Granada | Agustín Lara, Bryn Terfel, Joseph Calleja, Czech Philharmonic, Paul Bateman | B Minor | 5 | 10A | 163 BPM | ||
| Puccini: La bohème, Act 1: "Che gelida manina" (Rodolfo) | Giacomo Puccini, Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume | A♭ Major | 1 | 4B | 176 BPM | ||
| If I Loved You | Alfie Boe | D♭ Major | 3 | 3B | 169 BPM | ||
| Andrea Chénier: Come un bel dì di maggio | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F♯ Minor | 2 | 11A | 91 BPM | ||
| Offenbach: La Belle Hélène, Act 2: Duo. "C'est le ciel qui m'envoie" (Hélène, Pâris) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Les Musiciens du Louvre | E Major | 1 | 12B | 90 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Maria, Marì (Arr. Schifrin) - Live | Eduardo di Capua, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A♭ Major | 3 | 4B | 111 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| La Boheme: Acto III: "Donde Lieta Usce" | Victoria de los Ángeles | D♭ Major | 1 | 3B | 98 BPM | ||
| O del mio amato ben - Voice | Stefano Donaudy, Carlo Bergonzi, John Wustman | A Major | 1 | 11B | 60 BPM | ||
| Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| Lost in This World | Shen Yun Symphony Orchestra | E Minor | 3 | 9A | 112 BPM | ||
| Kálmán: Die Csárdásfürstin, Act 2: "Tanzen möcht' ich" - "Tausend kleine Engel singen" (Sylva, Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Nicolai Gedda, Willy Mattes, Symphonie-Orchester Graunke | D Major | 3 | 10B | 93 BPM | ||
| Bilimankhwe Classical 2 | Chisomo Dan Kauma-Common Hymns | B♭ Major | 2 | 6B | 90 BPM | ||
| O Sole Mio | Eduardo di Capua, KIM HOJOONG | G Major | 3 | 9B | 139 BPM | ||
| Un ballo in maschera, Act III: Morrò, ma prima in grazia – Alzati, là tuo figlio | Giuseppe Verdi, Katia Ricciarelli, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| Manon Lescaut / Act I: "Donna non vidi mai" | Giacomo Puccini, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | B♭ Major | 2 | 6B | 91 BPM | ||
| Giordano's Fedora: Amor Ti Vieta | Jussi Björling | C Major | 4 | 8B | 94 BPM |