On September 26, 2025, the song "Canzone appassiunata" was released by Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Serenata a Napoli". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Canzone appassiunata's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Canzone appassiunata by Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les feuilles mortes (Arr. Leuenberger for Tenor and Piano) | Joseph Kosma, Benjamin Bernheim, Carrie-Ann Matheson | F♯ Minor | 0 | 11A | 69 BPM | ||
| Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra Bastille | D♭ Major | 2 | 3B | 80 BPM | ||
| L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
| Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Mercadante: Il bravo, Act 1: Duetto. "Non sai tu che non avrai più del ciel" (Carlo, Pisani) | Saverio Mercadante, Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume, Amitai Pati | A♭ Major | 2 | 4B | 127 BPM | ||
| Gaston (From "Beauty and the Beast") | The King's Singers, Pene Pati | D Major | 4 | 10B | 87 BPM | ||
| Cleonice: Aria. Con favella de' pianti | Giovanni Alberto Ristori, Adèle Charvet, Le Consort | F Major | 1 | 7B | 168 BPM | ||
| Delibes: Duo des fleurs (de "Lakmé") | Léo Delibes, Monroe | D Major | 4 | 10B | 149 BPM | ||
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): I. Villanelle | Hector Berlioz, Benjamin Bernheim, Carrie-Ann Matheson | A Major | 3 | 11B | 135 BPM | ||
| La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
| Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
| Die Zauberflöte, K. 620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" | Wolfgang Amadeus Mozart, Rolando Villazón, Regula Mühlemann, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Major | 3 | 10B | 123 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 1, La Pastoura Als Camps (the Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 98 BPM | ||
| Eugene Onegin, Op. 24, TH 5: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | F Major | 5 | 7B | 103 BPM | ||
| Meine Lippen, sie küssen so heiß (Giuditta) | Franz Lehár, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
| The Juniper Passion, Act II: Madonna | Michael F Williams, Pene Pati, Adrianna Lis, Gordon Richards, Brent Grapes, Douglas Cross, Lara Hall, Elena Abramova, Susan Bierre, James Tennant, Gordon Hill, Katherine Austin, Indra Hughes, Vadim Simongauz, Eric Renick, Rachael Griffiths-Hughes | A♭ Minor | 1 | 1A | 81 BPM | ||
| Wagner: Lohengrin, Act III: Bridal Chorus. "Treulich geführt ziehet dahin" | Richard Wagner, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 77 BPM | ||
| Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
| Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
| Thais: Méditation de Thais - Arr. for Violin and Piano | Jules Massenet, Pierre Amoyal, Bruno Canino | D Major | 1 | 10B | 95 BPM | ||
| Carmen, Act I: Scene & Chorus. Sur la place chacun passe | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM |