"Le Carnaval des Animaux, R. 125: VII. Aquarium" by Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Royal Concertgebouw Orchestra had its release date on March 24, 2017. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Le Carnaval des Animaux, R. 125: VII. Aquarium's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Saint-Saëns / Poulenc / Say". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Le Carnaval des Animaux, R. 125: VII. Aquarium's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Carnaval des Animaux, R. 125: VII. Aquarium by Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Royal Concertgebouw Orchestra having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 1 in G minor, Op. 26: 3. Finale (Allegro energico) | Max Bruch, Julia Fischer, Tonhalle-Orchester Zürich, David Zinman | G Major | 2 | 9B | 93 BPM | ||
| The Carnival of the Animals, R. 125: XIII. Le cygne (Arr. for Cello & 2 Pianos) | Camille Saint-Saëns, Steven Isserlis, Michael Tilson Thomas, Dudley Moore | A♭ Minor | 1 | 1A | 173 BPM | ||
| Matthäus-Passion, BWV 244: Erbarme dich mein Gott | Yo-Yo Ma, Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra | B♭ Minor | 1 | 3A | 91 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| Together: III | Theo Loevendie, Lucas Jussen, Arthur Jussen | E Minor | 3 | 9A | 85 BPM | ||
| Piano Sonata No. 5 In C Minor Opus 10 No. 1: 2. Adagio Molto | Ludwig van Beethoven, Arthur Jussen | D Minor | 2 | 7A | 79 BPM | ||
| Piano Sonata No. 14 In C Sharp Minor, Op. 27-2 3rd Mvt: Presto Agitato | Ludwig van Beethoven, Lucas Jussen | A Major | 1 | 11B | 148 BPM | ||
| Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
| Oboe Concerto in C Major: I. Introduzione - attacca (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | C Minor | 2 | 5A | 77 BPM | ||
| Piano Sonata No. 14 In C Sharp Minor, Op. 27 No. 2 -"Moonlight": 1. Adagio sostenuto | Ludwig van Beethoven, YUNDI | C Major | 0 | 8B | 103 BPM | ||
| Introduction et Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | A Minor | 1 | 8A | 93 BPM | ||
| Rondo, Op. 94 | Antonín Dvořák, Jean-Guihen Queyras | G Major | 1 | 9B | 106 BPM | ||
| Piano Concerto No.2 in G minor, Op.22: 1. Andante sostenuto | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
| Three Visions: II. Summerland | William Grant Still, Jeneba Kanneh-Mason | A♭ Minor | 2 | 1A | 112 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
| Symphony No. 101 in D Major, Hob. I:101 "The Clock": II. Andante | Joseph Haydn, Royal Concertgebouw Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 141 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, Matyas Antal | F♯ Minor | 0 | 11A | 98 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 100 BPM | ||
| The Minstrel's Adieu to his Native Land | John Thomas, Judy Loman | A♭ Minor | 1 | 1A | 81 BPM | ||
| Suite No. 2, Op. 23 "Silhouettes": II. The coquette | Anton Arensky, Lucas Jussen, Arthur Jussen | C Major | 1 | 8B | 66 BPM | ||
| Haydn: Piano Concerto in F Major, Hob. XVIII:3: I. Allegro | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | C Major | 0 | 8B | 127 BPM | ||
| Prélude à l'après-midi d'un faune, L. 86: Prélude à l'après-midi d'un faune | Claude Debussy, Concertgebouworkest, Bernard Haitink | A♭ Minor | 1 | 1A | 86 BPM | ||
| Divertimento: III. Allegro con fuoco | Leo Smit, Lucas Jussen, Arthur Jussen | G Minor | 0 | 6A | 111 BPM | ||
| Tárrega: Recuerdos de la Alhambra | Thibaut García | B♭ Minor | 0 | 3A | 72 BPM |