What is the BPM for 新しいバイオリン教本 2: 56 ガボット by Arcangelo Corelli, 篠﨑功子, 長与咲子?

The tempo for 新しいバイオリン教本 2: 56 ガボット is 98 beats per a minute with a half-time of 49 BPM and a double-time of 196 BPM.

What is the music key for 新しいバイオリン教本 2: 56 ガボット by Arcangelo Corelli, 篠﨑功子, 長与咲子?

The music key for 新しいバイオリン教本 2: 56 ガボット is B♭ Major or a camelot key of 6B.

新しいバイオリン教本 2: 56 ガボット by Arcangelo Corelli, 篠﨑功子, 長与咲子 Song Details

Arcangelo Corelli, 篠﨑功子, 長与咲子's '新しいバイオリン教本 2: 56 ガボット' had a release date set for March 25, 1995. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 新しいバイオリン教本 2 [音楽之友社楽譜準拠] －監修: 長谷川武久－, so we believe that "新しいバイオリン教本 2: 56 ガボット" is a single. In terms of popularity, 新しいバイオリン教本 2: 56 ガボット is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

The tempo marking of 新しいバイオリン教本 2: 56 ガボット by Arcangelo Corelli, 篠﨑功子, 長与咲子 is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.609 dB
Acousticness: 97%
Danceability: 83%
Energy: 62%
Instrumentalness: 97%
Liveness: 7%
Loudness: 69%
Speechiness: 19%
Valence: 25%

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