On April 13, 2007, the song "Mere Sarpe Rakhdo Maiya" was released by Master Rana. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Master Rana's "Kanha Paav Paijaniya" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Mere Sarpe Rakhdo Maiya's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mere Sarpe Rakhdo Maiya by Master Rana to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Kali Ne Kaliyani Re Maa | Kanu Patel | D Major | 7 | 10B | 127 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Saanson Ki Mala Mein | Rishi Nityapragya | D♭ Minor | 6 | 12A | 81 BPM | ||
| Bhagwat Bhagwan Ki Aarti | Devendra Pathak | A♭ Major | 8 | 4B | 82 BPM | ||
| Hey Prabhu Anand Data Gyan Humko Deejiye | Vishal Khera | E♭ Major | 8 | 5B | 114 BPM | ||
| Lalbagchya Raja Darshan De Tu Amhar | Shakuntala Jadhav | A♭ Minor | 7 | 1A | 80 BPM | ||
| Mere Ghar Ke Aage Sainath | Paras Jain | D Major | 5 | 10B | 82 BPM | ||
| Mera Sankat Katane Wala Hain | Manish Tiwari | F♯ Major | 4 | 2B | 177 BPM | ||
| Lagan Lagi Tose | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Mara Ghatma Birajata Shrinathji | Ashit Desai, Hema Desai | D Major | 7 | 10B | 83 BPM | ||
| Aalndi He Gav He Punya Bhumi Thav | Rekha Manvatkar | D♭ Major | 8 | 3B | 91 BPM | ||
| Sonano Garbo | Master Rana | E♭ Major | 4 | 5B | 135 BPM | ||
| Mor Ganw Ke Shitla Dai | Dukalu Yadav | E♭ Major | 9 | 5B | 139 BPM | ||
| Rang De Maiya Ki Chunariya | Shahnaaz Akhtar | F♯ Major | 6 | 2B | 80 BPM | ||
| Kumkum Pagle Madi | Master Rana | G Minor | 6 | 6A | 112 BPM | ||
| O Gauri Putra Ganraja | Manish Tiwari | F♯ Major | 6 | 2B | 154 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Leke Chalo Palki Shirdi Ke Nath Ki | Sachidanand Appa | A♭ Major | 5 | 4B | 130 BPM | ||
| Swaminarayan Narayan | Harikrishna Patel | D♭ Major | 8 | 3B | 103 BPM | ||
| Karpur Gauram Karunaavtaaram | Nirupama Dey | F Major | 3 | 7B | 120 BPM | ||
| Mere Mann Mein Bhi Ram | Sher Singh | F Major | 6 | 7B | 89 BPM | ||
| Sonal Garbo Shire | Damyanti Bardai | G Major | 6 | 9B | 135 BPM | ||
| Shirdiwale Sai Baba | Master Rana | E♭ Major | 5 | 5B | 93 BPM | ||
| Kastbhanjan Dev Ni Aarti | Hashmukh Patadiya | F♯ Major | 7 | 2B | 104 BPM | ||
| Man Tera Mandir Hai - Mata Ka Jagrata | Kavita Paudwal | G Major | 2 | 9B | 71 BPM |