"Holding Breadth (feat. Daedelus)" by Attacca Quartet, Daedelus had its release date on July 9, 2021. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Real Life". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Holding Breadth (feat. Daedelus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Holding Breadth (feat. Daedelus) by Attacca Quartet, Daedelus having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano & Violoncello 25 | Irena And Vojtech Havlovi | A♭ Major | 1 | 4B | 84 BPM | ||
| Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
| Drifting Circles | Attacca Quartet | G Major | 3 | 9B | 138 BPM | ||
| Longhope - Edit | Erland Cooper, Hiroshi Ebina, Hinako Omori | F♯ Major | 4 | 2B | 137 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| Re Bo No | Simon Zöchbauer, Federspiel | E Major | 4 | 12B | 133 BPM | ||
| Speech I: Strong Consonants | Ellis Ludwig-Leone, Attacca Quartet | G Major | 2 | 9B | 110 BPM | ||
| Leva - Transformer Session | Henrik Lindstrand, Halvcirkel | C Major | 0 | 8B | 176 BPM | ||
| PRIMORDIUM FINALE | Mario Batkovic | A Minor | 5 | 8A | 95 BPM | ||
| The Top | Sarah Neufeld | B Minor | 3 | 10A | 124 BPM | ||
| The Evergreen: II. Stem | Caroline Shaw, Attacca Quartet | B♭ Major | 1 | 6B | 171 BPM | ||
| In the Void | Ellen F | G Minor | 3 | 6A | 60 BPM | ||
| Dawn | Meredith Monk | A Minor | 1 | 8A | 77 BPM | ||
| Movement 4 - Instrumental | Erland Cooper, Scottish Ensemble | E♭ Major | 1 | 5B | 120 BPM | ||
| Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | ||
| Someone Got Shot | Jay Wadley | D Minor | 4 | 7A | 111 BPM | ||
| Zones de l'oubli | Hermon Mehari, NO(w) Beauty, Enzo Carniel | E Major | 4 | 12B | 133 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Hamnavoe | Erland Cooper | A♭ Minor | 2 | 1A | 100 BPM | ||
| The Police Are Here | Finneas O'Connell, Attacca Quartet | D Minor | 1 | 7A | 67 BPM | ||
| Day One | MARGOT | G Major | 4 | 9B | 107 BPM | ||
| Inflection Point | Echo Collective, Neil Leiter, Gary De Cart, Margaret Hermant, Charlotte Danhier | C Major | 0 | 8B | 60 BPM | ||
| Boston | Nathan Schram, Attacca Quartet | C Major | 3 | 8B | 113 BPM | ||
| Living Circle | Shida Shahabi | F Major | 2 | 7B | 176 BPM | ||
| The Virgin and Child with Saint Anne | Caroline Shaw, Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | E Major | 1 | 12B | 60 BPM |